’Leavers’ And ’Stayers’

As one of the post-70s representative writers,Zhu Wenying has been rapidly developing in the literary world these years and takes up a significant position in modern literary world by her unique writing style.In 2011,after Lily’s Aunt’s Tiny Southern Region came out,Zhu Wenying gained the reputation in the comment circle"southern gorgeous old culture delicate slender veins in her body obtained a new extension"[Gao Qi,Zhu Wenying:I began to confront the society and history where I am living[N],Culture Interview,2011-6-17(3).]In Zhu Wen Ying’s novels,the rich group of characters constitute the main frame of the novel and become the inner motivation to promote the evolution of the novel’s narrative.Figures in the novels advance toughly and become the ciphers in the era.Zhu Wenying expresses deep thinking about social reality by molding her writing figures.Zhu Wenying’s novel texts are taken into further analysis to explore the composing causes hidden between the lines by the writer and to analyze the social meanings and literature meanings existing in Zhu Wenying’s novels based on the figures.The full text includes three parts:introduction,main body and conclusion.The part of introduction briefly introduces Zhu Wenying and her masterpiece,the current study situation and the purposes and meanings of her works.Study on Zhu Wenying and her works mainly are in these years,some of which has formed in the academia but there still exist the issues of little study and too simple in research structure.Hence,the blank of study on Zhu Wenying’s novels are filled by the charming of exploration in the novel“image of figures".Main body of the paper is divided into three chapters.The figures in her works are separated into two categories in the approach of tracing love based on Zhu Wenying’s novels:leave and stay.The first type of people ran away to resist the fate of despair,lost their strength in the process of pursuing the times,thus taking a negative approach to the nihility of history and reality.The second type of figures choose to stick to the essence of life in daily life and face the embarrassment that can not enter the huge history with a tough attitude.Chapter Two discusses the reasons why Zhu Wenying writes.Social factors:rapid economic development ruins the spiritual home that some people rely on,resulting in the loss of their social position.Cruel social reality of the individual spirit and ideals of destruction so that they have a loneliness,this psychology gradually enlarged into a collective social psychosis.The material improvement greatly stimulates the desire for money of modern people;Shanghai,Tokyo and other international metropolis become the desired places for them to attain their rich dreams.Regarding to personal factors,Zhu Wenying,as female writer of "the post-70s",is good at giving a description of cipher’s awkward situation and living surroundings in the historical context in daily life.She has a precise control over people’s mental,especially femaleness mind of confronting sensation or living troubles.In the meantime,her perennial life experience in Suzhou made her have a profound understanding of Suzhou culture.The spiritual character of Suzhou culture further internalized her personality characteristics.Chapter Three gives an analysis on the art values of Zhu Wenying and her novels in the point of view of aesthetic connotation and regional literature,changing the "leave" patteren,breaking through as "body writing".Meanwhile,her novels play a positive role in promoting the regional literature development in Suzhou and southern literature.Zhu Wenying’s efforts and achievements in writing arrive at the conclusion of the paper."in the South and to subvert the south" can be reached to approve the writer and her works with unique style.