Aesthetic Study On The 'Light' View In The Paintings Of The Six Dynasties

The period of the Six Dynasties was the most free period of thought in the history of Chinese classical aesthetics,and it was also an important period for the development of the concept of "light".During this period,the Chinese people's free aesthetic consciousness began to awaken,poetry,painting,music and other art gradually toward the conscious stage.The aesthetic concept of "light" is also further explained in the theory of art,especially in the field of painting,the emergence of landscape as an independent aesthetic object and the aesthetic theory in painting theory are fully expressed in the indiscriminate and plain natural psychology of the Six Dynasties pursue.The aesthetics of the Six Dynasties period was mostly based on the philosophical and ethical categories of the pre-Qin and Han dynasties,and the "light" view of the Six Dynasties painting originated from the philosophy of Laozhuang.Laozhuang philosophy "light and tasteless" "light and no" "tour in the light" "indifferent Promise" and other propositions will be "light" and "Road" together,profoundly reveal the "light" concept of philosophical connotation.Metaphysics pursuit of nature and the idea of the birth of Buddhism further influence the development of the "light" view of the Six Dynasties painting,emphasizing the spirit of the plain freedom and tranquility of the spiritual comfort effect.The policy of small-peasant economy and the system of electoral system of Nine-product system have created the specific socio-economic and political background of the Six Dynasties.The unique trend of the people in this era influenced the development of the "light" view of the Six Dynasties.In the paintings of the Six Dynasties,the painting technique of "show bone clear" and plain painting,elegant and elegant painting style,all reflect the people still "light" aesthetic tendencies.In the creation of the Six Dynasties painting,"to shape the gods" "Cheng Huai like" "shaped people melt spirit" and other propositions stressed the empty empty indifference of the state of mind,the pursuit of noble and indifferent charm,pay attention to "light" for the creation of the standard.In the painting criticism of the Six Dynasties,"Qiyun vivid" "heart of the good fortune" "grid high and Si Yi" and other propositions show simple mysterious,chic refined aesthetic fashion,and from the art of light for the United States to promote the personality To light for the United States.The concept of "light" is a kind of important aesthetic proposition,which is rich in connotation and profound meaning,as a kind of aesthetic culture psychology which is "light" as the beauty,involving "aesthetic and quiet" and "psychological distance","imagination and emotion".The concept of "light" in the painting of the Six Dynasties is the important concept of Chinese classical aesthetics.It is not only important to study the development of the concept of "light" in the later dynasty,but also has a reflective significance to the contemporary society.