Gannan Hakka And The She And The Yao Peoples Interaction And Integration From The Perspective Of Pangu Faith

Gannan is an example that rich Han nationality Hakka ethnic myth beliefs exists with a number of myth beliefs of southern minority. This paper regards the She, the Yao and the Hakka ethnic group as the research point of view, mainly according to Quannan, Potou Zhen Yao Village which is in Jiangxi and to Guangdong as an example. And this paper will analysis the origin and development of the Pangu belief and the relationship of the Pangu belief and the Panhu belief to reflect the interaction and marge of the mass, and to analysis the contradictions, problems and the settlements to these among folk beliefs, historical memories and ethnic identity because of development, interaction and marge.This paper collects information via the methods of literature review and field survey in the first. This paper references to the Bei tou Zhen Yao Cun, Quannan County intangible cultural heritage Wang Tianxiang’s Songbook of King Pan. During November 2013 to March 2015, I visited Yao village in Quannan and She village in Longnan some times for field survey to study the Pangu belief of Yao, She and Hakka in Quannan and Longnan. In this period, I visited Culture Center of Quannan, long county, too. Second, this paper introduces the methods of Cultural anthropology, Folklore and Ethnology to exam and discuss in more views and aspects..The first chapter discusses the view and emphasis of this paper through a series of questions to elaborate. Then this part shows the researches by other scholars which supports a solid starting point for this paper. In the end this part introduces the basic research methods of this paper, too.The second chapter studies the surface of objects, ranging large to small and describes the areas related to the Pangu( Panhu) belief and field survey. This part describes some important folk beliefs and folk customs in these areas.The third chapter refers to the object-concept. This part will discusses the objects by field survey with the questions related in the first part of this paper to exam the origin and development of folk beliefs marge, interaction among all groups and marge which hided by multiple confusion characteristics.The fourth chapter is the signifier- the symbol. The main reference is Bei tou Zhen Yao Cun,Quannan County intangible cultural heritage Wang Tianxiang Songbook dish king. This part exams the marge of gods, human and ghosts from the meaning of signifier to discuss the historical memories built by this paper to reveal the process and importance of folk beliefs and interaction among groups in this paper’s symbol system.The fifth chapter studies the minority village’s life in the modern society where is fullness of folk beliefs and interaction and marge among groups, which can introduce practical concern to this paper.