Li Rihua Painting And Calligraphy Research As A Hidden Activity

Known as the "in the late Ming Dynasty Museum gentleman of Li Rihua, he used various forms of detailed record of the wink of painting and calligraphy of the content, composition, spread, appreciation points, distinguishing method discussed, and left a large number of precious documents and materials. A true record of the Jiangnan area of the art market of painting and calligraphy diaspora situation, from dialysis out in late Ming Dynasty in Jiangnan area of the art market prosperity and decline.In recent years, for Li Rihua’s research has been attracting more and more attention, both in his own life or study is to study the late Ming art trend of thought from the writings, taste, market transactions, even climate phenomena were all be involved in, but the relevant Li Rihua in painting and calligraphy connoisseurship and collection in the field is relatively neglected. The author according to Li Rihua Zhuan "taste shuixuan diary", "six Yan Zhai notes", "pink violet Xuan miscellaneous Zhui", "Tian induced Tang Ji" and other works and related information, for to study the collection of painting and calligraphy, art appreciation activities, identification methods, aesthetic ideas, and from sorting out Lee’s painting and calligraphy authentication and hidden directory, purchase records, in depth to explore the specific method of Li Rihua paintings and calligraphy identification, namely according to the picture material, technique, content, inscription, seal, style, using textual research and discrimination, "taboo", the previous literature, the authenticity of the control etc. means to recognize as pseudo method. Through a comprehensive summary of the appreciation of Li Rihua to summarize his connoisseurship and collection in thought, and give the specific evaluation of his ability authenticity, a connoisseurs identity of Li Rihua reduction.