| Erhu left hand playing techniques, is playing the most fundamental and complicated problem. In the face of complex problems, if we do not try to research and analysis, will directly affect the quality of the whole learning process and play. From a physical point of view, repeated practice is the process of formation and consolidate the conditioned reflex, if not found the problem in time, the error of playing techniques form the habit of conditioned reflex, would have catastrophic consequences. Based on the studies of the practice of playing erhu left hand techniques as the subject, methods for erhu left hand playing, playing techniques, a systematic introduction to. Hope through the analysis of this article, improve the art of erhu left hand play value, realize the correct method is the key, realize the importance of norms play action, and the necessity of style skill to master. For scientific and effective way of training, provide the basis for erhu playing and teaching in theory..Due to the related theoretical research of erhu art, especially in the left hand playing techniques from the perspective of theory to practice using the analysis of the article a few. Theory, this paper human anatomy, exercise physiology and other relevant knowledge and methods, the common errors or can be summarized by typical problems, and puts forward the feasible method of correction. From a practical perspective, not only provide the most scientific and effective training methods, and points out the reasons of the training rationality, cultivate the ability to find problems and reasoning thinking.Will give priority to with left hand playing techniques, this paper attempts through the theory and practice, playing and teaching multiple points of view such as exploratory research on playing erhu left hand techniques. The main research content is summarized as follows: the first chapter, from the theoretical level to determine in this paper, the research route, including the research significance, research contents, research methods and so on carries on the general theory. The second chapter, through analyzed the theoretical definition and development path of left hand techniques and in detail. The third chapter, from the perspective of the basic theory and teaching practice, the basic technique and the formation of the commonly used techniques and applications, including the strings, knead string, in turn, glide, trill, etc. The fourth chapter, in the style of representative erhu music as an example, the analysis of the same play music techniques in different art style of the concrete application, artistic quality and style of the art of the left hand to play do comprehensive interpretation. |
