The Style Characteristics Of Erhu Music Art In Northwest China

The unique living environment of Northwest China gives birth to its unique,brilliant and splendid culture.Its unique cultural characteristics,affecting the growth and development of the music art which has gradually formed a unique art style with honest and generous in this region.Simple and rough local folk music and opera music provide the fertile soil for the development of Erhu art and make the erhu art show a unique style and charm.Under the premise of the regional erhu music style and in view of the whole northwest region with the characteristics of coverage and multifarious contents,this paper discusses the northwest of erhu music which regards Shanxi,Xinjiang and Inner Mongolia as the main representative music style.Meantime,the paper analyzes the local erhu music culture from the regional cultural background,folk music and other aspects respectively and provides a more systematic theoretical guidance to the players and the researchers.This not only has positive significance for the development of erhu music in Northwest China,but also has great value and practical significance for playing different styles of music in the region.After sorting out the regional style and features of erhu music in the northwest area,I summarize the general characteristics of erhu music in different regions of Northwest china.To sum up,we can use four words to show its commonness of erhu music art in Northwest China,that is,"regional","national","pluralistic" and "ecological".The unique geographical environment and human factors affect the erhu music art in this area,which makes the erhu music art has some unique regional music features;the northwest region covers a wide range of ethnic groups and the national music culture with the distinctive style and long history make the region’s erhu music art also show a strong national flavor;The integration and development of economic and cultural for thousands of years make the northwest ethnic music art become more comprehensive,rich and colorful and make the erhu music art in the region possess a variety of quality characteristics naturally;the "original" flavor of the northwest music art everywhere also give the erhu music art of the simple natural,fresh,true and local flavor,which makes the erhu art possess the style characteristics of "original ecology".The structure of this thesis consists of introduction,four chapters and conclusion.The preface explains the reason of choosing the topic,the present situation of the research at home and abroad,the innovation,the ideas and the basic structure of the thesis.The main body of the thesis content of the article sorts out and analyzes the erhu music style in the northwest region and has the further study on the typical style of erhu music.Also,it deeply analyzes the internal relationship between the local culture and local folk music and opera,and analyzes the causes,formation and development of this erhu musical style or faction.Based on the discussion of typical regional culture and local folk music,this paper analyzes the writing features of erhu music art in the area from the musical form,melody,tonality,rhythm and other aspects respectively,analyzes the performance style and the techniques of the left hand and the right hand,combing with the performance practices,and tries to make a comprehensive,systematic and in-depth analysis of the regional characteristics and the artistic features of the erhu.So that readers of the region erhu art creation and playing style have a more in-depth understanding.