See The Difference Between Jiangnan Style And Qin School Erhu Playing Skills From "Jiangnan Spring" And "Mi Hu Tiao"

Erhu’s timbre is like human voice,which has rich expressiveness and appeal,and is also one of the representative traditional national string instruments in China,so it is deeply loved by people.Although under the leadership of Mr.Liu Tianhua,erhu has only been on the stage of history as a solo instrument for more than a hundred years,but its playing art has made a leap breakthrough and development in the long history.On the basis of inheriting the characteristics of traditional folk tunes,people constantly draw lessons from and draw on some western composing methods and playing skills to enrich the expressiveness of erhu music.Among them,the influence of Jiangnan and Qin music style difference on erhu playing skills is particularly striking.Erhu originated from the folk,its works are mostly rooted in tradition,closer to people’s lives.Our country has a vast territory and different geographical environment and cultural features,so it has produced unique musical styles.When we play such works,It is particularly important to accurately grasp its style of playing skills.This paper will take this as the starting point,through the brief analysis of "Jiangnan Spring " and "Mihu Tonality" these two representative schools of works,to sum up some of the more representative local performance skills,so as to better enable players different styles of Erhu works,reasonable grasp and use of its playing skills.