Wu Qifeng’s Portrait Study

Wu Qifeng’s paintings of portraits and the country’s ethnic minorities in Xinjiang Graffiti played a pivotal role.He lives deep in summarizing the previous ink on the basis of long-term large number of sketches, Wu Qifeng’s every piece of work devoted his feelings, has been in the development of the arts throughout the entire course, eventually forming his own words.Each artist’s life experience is different,different experiences, he described the paintings is naturally different. Wu Qifeng of art objects are mainly endemic human figure in Xinjiang, ideological expression of the theme of his work, including a focus on the things of life and thinking of the impermanence of life.He focused on the details of daily life bit by bit, drawing scenes of life in a small scene, to write to God, found human mood unusual material,highlighting the work of the United States from the ordinary scene.And through the performance of these minorities lifestyle to show the harsh natural environment and human over nature to survive and indomitable fighting spirit.Mr. Wu will have its own unique artistic style matching principle, which is inseparable from him numerous times to try and explore the aesthetic emotion into their main objective performance in bright colors and pure.He extensively studied traditional painting on the basis of not contrary to the tradition of bold and imaginative Emotion strokes,rough lines, meticulous re-color and color, will form the structure of Western contemporary art and traditional aesthetic conception China clever to combine, in the expanding Chinese traditional painting manifestations, they also create a new art form, the formation of style bright, fresh style.Overall, these works Wu Qifeng theme of Ethnic Minorities in creation, in art unique, fresh and calm pictures, scenes,seamless, that strong ethnic characteristics, but also worldwide tension, creating a new character modeling.