Research On Of The Chinese Painter In Xinjiang Who Is The Ethnic Minority

The existing and coming to night of xinjiang frescoes and historical remainsproved the beginning of painting and live in xinjiang.the earlist history recoded thatin the tang dynasty,there had been two famous painters who come from khotan inwestern countries (now the xinjiang hotan),WeiChipostscript to the monk and hisson, WeiChi b., nevertheless,compared with the inland provinces,the content ofxinjiang painting history is still much superficial,because of the long period of blankand fault of history.after the founding of the nation,painting become thrivingslowly.Even during this period,the development of xinjiang oil painting is stillfaster than traditional Chinese painting.compared with the QTY of traditionalChinese painter,the oil painter was also more.Especially the QTY of the minoritycompatriots had been keeping zero during that period.until Tuerdi Yiming(吐尔地伊明) appeared,who filled up the blank in the modem history of xinjing minoritytraditional Chinese painters.along with the growing up of xinjiang minoritynationality traditional Chinses painters,more ethnic minorities started to chose thetraditional Chinese painting.Throughout the modem painting history almost all ethnicpainting workers learned from the the western paintingworkers,gouache,watercolor,professional print.Especially the learners and workers ofthe oil painting Was much many.on the other hand, the profound traditional Chinesepainting art,as our own painting of the Chinese nation,was our Chinese nativepainting species,but it had been almost neglected until Tuerdi Yiming(吐尔地伊明）appeared,and followed by the famous painter HaZi who tried the creation oftraditional Chinese painting works.that was a good start for ethnic painter learningChinese painting professional,also the pioneering significance for painting.Thisthesis will explore and futher study the minority traditional Chinese paiters，such asvonit Yming etc.The interview summary analysis method was mainly used in this paper.Tocollect and organize valuable first-hand information, I interviewed severalrepresentative painters, as well as copied and photographied the relevant painter’spublicated books, others related manuscripts and the painter’s works; meanwhile, Ihad visited the associated key personnel, from the perspective of their experience toget some opinions and views.It was rich and full of arguments to demonstrate theresearch content of this paper.This paper analyzed and discussed the xinjiang minority nationality traditionalChinese painters from the following four chapters: First chapter, the introduction, included research background, the foundation toselecte this topic, the current research status at home and abroad, summarize theresearch purpose and academic meaning and research plan.Second chapter,analyzing the time background of xinjiang minority nationalitytraditional Chinese painters.firstly,summarizing the background of ethnicculture,then the current situation of the development of the traditional Chinesepainting of xinjiang.thus the readers will get a general idea of the basic socialconditions and atmosphere of the traditional painting for xinjiang minoritynationality traditional Chinese painters.The third and forth chapters are the keystone of this thesis.The third part introduceed the social situation and the life experience of severalrepresentative of xinjiang minority nationality traditional Chinese painters, makereaders a clear knowledge and understanding of the representative.helping to graspthe situation of the general personnel and the specific situation of the related painterof Chine.The fourth chapter detailed the analysis of the influence factors of Xinjiangminority traditional Chinese painters.this chapter analyzed from the following fouraspects:characteristics of the creating colors;their Chinese level affected theircreating style directly;the innovation of their workers’composition; and the theme ofthe creation.Making it easy to grasp the art characteristics and style characteristics of thexiangjiang minority nationality traditional Chinese painting works and understandthe difference between the xiangjiang minority nationality traditional Chinesepainting and the traditional Chinese painting.meanwhile future studied that thedifferences were due to its inherent unique national culture and the regional factorsof xinjiang.The fifth chapter analyzed the achievements of xinjiang minority nationalitytraditional Chinese painters from two aspects: the art achievement and historicalposition.