The Study Of The "dynamic And Static" Of The Yuan Dynasty Landscape Painting

In Yuan Dynasty,most men of letters stay away from politics,live in seclusion and soothe themselves with poetry and calligraphy due to the ethnic discrimination of rulers. Some literati painters like Zhao Mengfu raise the painting idea of “painting from calligraphy” and “old-fashioned painting”, therefore, the Chinese painting mode is enriched and developed and the painting style of “imperial-court decorative painting” in Southern Song Dynasty is broken away. The landscape painting in Yuan Dynasty inherits the traditional painting and emphasizes on the artist’s inner and subjective feeling expression, the object’s inner charm and writing fun, but it does not aim for lifelike.In Yuan Dynasty, the simple and ingenious landscape painting is uploaded, and most paintings make people feel quiet, indifferent, deserted and sparse. To further analyze and interpret the landscape painting of Yuan Dynasty, this paper mainly elaborates the relationship between dynamic and static to provide another new perspective for us. "Dynamic" and "static" are both opposite and unified, and the "static" paintings is always endowed with the "dynamic" elements. Mixed factors create "dynamic" and "static" beauty. In the final analysis, the “dynamic” and “static” in the painting are to show objective object and express thoughts.This article starts from content, writing, composition, conception and other factors, explores the “dynamic and static” applied in the landscape painting of Yuan Dynasty and its existence meaning by analyzing and summarizing some typical paintings in Yuan Dynasty, and infers its impact and enlightenment on landscape painting of Yuan Dynasty and future generations.