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Yuan Dynasty Landscape Painting Landscape Theme" Yat" Aesthetic And Influence

Posted on:2013-06-09Degree:MasterType:Thesis
Country:ChinaCandidate:P P JiFull Text:PDF
GTID:2235330371977402Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
China ancient private gardens after the Tang, song, yuan, Ming, QingDynasties, come down in one continuous line, eventually to the formationof Suzhou as the representative of the southern garden group. The Taihubasin is relatively centralized area surrounding the literati literatiin Yuan Dynasty, the ruling class discrimination and oppression, in thebottom of society, as a result of the abolition of imperial examinationsystem, they or because career frustrations, or because of talent lackscope for their abilities, scholars mostly choose to escape in themountain or town. The traditional scholar draw" Huang Lao Taoism,"yearning for natural beauty of mountains and rivers, coupled withpicturesque scenery of Jiangnan region of geographical conditions,natural, serene garden in large numbers, literati to get back to nature.Gardens in the landscape painting is the author of nature and humanintegration of notions, the literati painters landscape express feelings,write about borrowed time, the botanical garden theme is different fromthat of the traditional landscape painting but the courtyard as thescenery, also manifests the painter of landscape of emotion, it isfrustrated reclusive scholar painter true heart, is the same"temperament"," Yi Qing" expression.The botanical garden theme landscape painting and the recluse cultureand their inner desires, content mostly depicts the solitude, livingenvironment. Leisurely life and landscape with green mountains and rivers,subject to rely on, such as a garden, villa, courtyard, pine, bamboo,clouds, mountain is a beautiful and tranquil literati performance object, regardless of to draw a mountain of water, the heart is context free.mostlyin such a stand aloof from worldly success, quiet and comfortable in astate, in the painting drawing on more adept at using ink to express theirmood and feelings." Yuan four yuan" by Zhao Mengtiao at the beginningof" painting homology"," paint your have an impact," the poem calligraphyand painting com., painting the literary interests, pay attention toemotion. Four famous gardens landscape painting style of plain,implicitly, distant, nothingness and refined, is a far away from dustturbidity above "plaza"." Yi" after North Song Dynasty landscape paintings in descriptive andsubject development, in the landscape painting theory", it can becomeGod," an independent character, and many theorists on the character ofthe ancient song." Yat" concept, with firm heedlessness, comfort, elegantspirit pursuit. In the landscape painting style in the diversifieddevelopment today, the Yuan Dynasty painters painting and painting on theessence of" Yi" and" Yi" aesthetic spirit, still worth careful readingand reference. In this paper, by the botanical garden theme landscapepainting as a starting point, focusing on the " Yi" and" Yi" of theaesthetic spirit of Ming and Qing Dynasties, and garden theme landscapepainting effect, to our contemporary landscape painting and reference.
Keywords/Search Tags:Garden landscape painting, Yi, Yuan four
PDF Full Text Request
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