Exploring The Expression Of Static And Dynamic Forms In The Creation Of Portrait Oil Paintings

This article interprets the subject of static and dynamic forms and related concepts in the oil painting creation involved in contemporary western painting.For example,through the brush strokes,lines,texture and other aspects,elaborates how to skillfully use the static and dynamic relations in contemporary oil painting creation and art creation,so that the theme of the work is more prominent,the artistic conception is more far-reaching expression and approach.Not only increased the fun of the screen because of the uncertainty of brush stroke,but also made a bold breakthrough in the form of creation,getting rid of the ine rtia of thinking constrained by the image and effectively enlarging the associative space brought by the picture to the viewer.It also showed us the painter their superb painting skills.In the process of the study,the author further draws on the concrete cases of contemporary art masters,combing and analyzing(with their perspectives)how they use the painting materials to express the static and dynamic contrasting paintings,and pursuing the serene atmosphere of the paintings.Combined with his own painting and understanding of contemporary painting,he created a series of master’s graduation works of art.In this subject’s painting practice,the author attempts to break through the dull and burdensome atmosphere of the original painting by making use of the theme selection in many aspects,such as modeling,lines and brush strokes,so as to make it clever and relaxed.In this series of creations,the author mostly adopts the big strokes of freedom and freedom.It seems casual but deliberately splattering pigments and spilling the streamline to allow some colors to flow freely without deliberately covering up or interfering with them.Through rational cognition and perceptual practice,it absorbs the uniqueness of the artist’s painting techniques such as brushstrokes,lines and texture,and draws on the form of painting to expressive techniques to guide the author to control himself more freely the picture.