Theory In Contemporary Chinese Fine Brushwork Figure Painting "The Beauty Of Dynamic And Static"

Chinese brushwork figure history for thousands of years,it is fine to fine hook description,layers of dyed language arts features.Its unique charm makes it emerge in the international art world,the artist's extraordinary is the number of generation efforts.Contemporary Chinese brushwork figure with a unique artistic perspective and manifestations primarily rooted in Chinese traditional culture accumulation of thousands of years,"Confucianism,Taoism and Buddhism," the philosophy and Western science rational thinking and aesthetic performance language of painting are fused formed Unlike other contemporary Western aesthetic perspective to the traditional-"dynamic and static.""Dynamic" and "static" both literally and whether the substance of all opposites.In fact,the "dynamic and static" This is the paradox of the whole shape of which exist in the objective world.Dynamic,visually appealing tension line of sight;quiet,is "dynamic" and "dynamic" confrontation and tend to counteract the visual mental balance.Therefore,"dynamic" and "static" unity of opposites.This interacts relationship into each other to become one of the main means of expression inherent vitality of painting an object painting subject.Therefore,compared to "dynamic and static" is an important way to show the picture of contemporary Chinese brushwork figure beauty.In addition,the "dynamic and static" exists in the development process of painting.However,on the one hand because of the huge differences in Western culture,so that in Western painting exhibited both similarities there are also different;the other hand,traditional Chinese painting in the history of the development,and constantly adapt to the times and to produce ideological change,prompting the creation of the main subject and object creation "move" and relationships to be "dynamic" between the formation,thereby enabling the contemporary Chinese brushwork figure showing a different from the traditional style of painting different from the West.This style of painting,they began to form from the authoring body "look","see" as the initial stage of the painting,it does not include the creation of the result,it is by the creation of the subject's eyes to things "move" to capture the visual form process,which is proof of painting "dynamic and static" with the visual perception of horizontal linkages provide a strong scientific basis.Contemporary Chinese brushwork figure painting as a species,it is the presentation of the painting style also has a "dynamic and static",Chinese contemporary fine brushwork figure painting in the intermediate stage is transformed into a visual image capture elements of the painting(shape,color space).Therefore,the elements of the painting itself has a "dynamic" force,and this "dynamic" force and Rudolf Arnheim proposed "tendentious tension," similar.This tendency of the tension in the creation of the body tissue are arrangedorderly(density,the actual situation,shading),forming interaction,influence,confrontation,offset,so as to achieve the creation of contemporary Chinese brushwork figure did not have the law known as "dynamic equilibrium--static ",and the use of this law to pass the thoughts and feelings and creative spirit master's " quiet " sector.