Study On The Dramatics In Local Chronicles Of Shandong In Qing Dynasty And Republican Period

From Qing Dynasty to the Republic of China, Shandong regional opera performances arerich and colorful, which has made brilliant achievements, but the academic circles moreconcentrated on the study of local opera literature, music and the performing arts, etc.,researching for the history of the performance is relatively weak. Local chronicles inShandong region save a lot of precious information related to folk dramatics, but has not beensystem and deep study, therefore, this article selected the dramatics in local chronicles ofQing Dynasty and the Republic of China, Shandong region, as the research object, make fulluse of local records information, from the traditional opera, philology, attained, folklore,sociology and other angles deeply investigated the dramatics in the Qing Dynasty andRepublic of China, Shandong region, tries to comprehensive, whole-dimensional to comb thereal condition of Shandong drama development.The full text is divided into five parts: the Introduction part briefly describes thedramatics achievements in Shandong region, topic background of this paper, the selected topicsignificance and the research dynamic, and defines the concept involved in the paper.The First Chapter through to the related materials in the local chorography, sorting,venues of Shandong region to dramatics, organization, and then explores its basic situation,such as tune and dramas show the basic features from Qing Dynasty to the Republic of Chinain Shandong dramatics. For performance places, mainly concentrated in the summer temple,palace residence, street and wilderness, etc., for the organization, mainly concentrated in thebuilding of theater, social groups, such as organization and postponement of Community’sFire, for the tune and dramatics, discrimination on Local chronicles in Shandong region in theon the basis of fully, spoke on local opera development regularity are discussed.Based on the material of relevant records in the Local chronicles, the Second Chaptertries to reveal the close connection between dramatics and festival customs, life custom, etc,at the age of praying, rain, to celebrate harvest production practices, such as God of Guan Yu,Town God, Goddess of Mount Tai and so on, such as local opera performances and closelycombined with the characteristics of folk activities, members and dramatics for local societythe significance of spiritual and cultural life.The Third Chapter focuses on, from the perspective of social and cultural ecology andenvironment and the social public opinion to review the official ban opera constraint, and theofficer of the people be fond of of opera performances, and emphatically analyzed the warand social change in Shandong region dramatics. Explore the motivation and prosperity of opera development of Shandong region, the thorough analysis closely integrated with the folkcustom activity, on the basis of folk drama activity of vigorous vitality.Epilogue Part summarizes the basic situation of the dramatics of the Qing Dynasty andRepublic of China, explore dramatics in the local chronicles of Shandong to the image withthe local and the close relationship between the social and cultural ecology, review thehistorical achievements and prominence of Shandong local opera. And from the angle ofsuggestion to the reality of the current drama fails, reveals the vital importance to dramaticsand modern significance to the development of opera.