This thesis aims on the middle of the18th century Germany representative figure of the Mannheim school, works with the Johann·Stamitz’s "Sinfonia Pastorale in D Major"study on the overall analysis of the music of the pastoral Symphony. First chapter is on composer of life and the Symphony creation overview for simple describes; second chapter is works of four movement structure analysis, involved musical form structure, and writing material, and syntax and the adjustable sexual four a area; third chapter is melody features analysis, contains melody of pitch features, and efforts performance, and melody syntax and the main development practices four area; fourth chapter for rhythm, and beat and playing symbol; fifth chapter is adjustable sexual, and harmony analysis; sixth chapter is Orchestra and adapter analysis. |