From Karl Stamitz's Creation,the Role Of The Viola In The Chamber Music In The Classical Period

The social background will affect the production and development of every phenomenon,as well as the evolution of the viola.We must be on the analysis of the history of western music,reading classical art style characteristics and the social ideology on the basis of discussing the viola fugitive dust evolution reason,thus to make an objective analysis of the process of the evolution of the viola.It was happy that the 16th century was accompanied by the budding of capitalism and gradually developed,and the importance of the classical stage gained a great degree of improvement.Starting from the classical stage to the final end,chamber music show one of the biggest characteristics is the way of combination performance based on a variety of instruments,more and more performance for the viola possibilities and opportunities,to a large extent prompted the viola and varied forms can perfectly show in front of the musicians and audience,let it be clear to the viola in beautiful and special.So we can know clearly,viola in the influence of the string family,with the development of chamber music and achieve a sense of ascension,the trajectory of both merge each other,promote each other,chamber music as people's value is in a state of moving forward,followed is the status of the viola are realized continuous improvement.Karl stamitz,one of the representatives of the mannheim school,is known as a violinist and a viola player.At the same time she was and is one of the most prolific writer mannheim school,his orchestral works include not less than 60 of the concerto,30 double concerto,also left a large chamber music database.Including violin and viola duet,violin and viola trio,two violins,violas and cellos quartet,and viola concerto and sonata.In this paper,we analyze the two chamber music works by Karl stamitz to explore the transition between the roles of the cello in the chamber music in the classical period.The full text structure is as follows:introduction;Chapter 1 the development and position of the viola in chamber music;Chapter 2 overview of chamber music in classical period;Chapter 3:the role of viola in the creation of Karl stamitz's chamber music;Chapter 4:the role of viola in chamber music in classical period;The epilogue.