What this paper research is《Sinfonia》of Luciano Berio,whois very influential Italian composer in the 20th century. combining ofcomposition techniques perspective caused by aesthetic trends ofthought and aesthetic tastes change of the 20th century, this papergives carding and analysis of《Sinfonia》in "Micro" and "macro"level.This paper mainly includes: the life and creative stylecharacteristic of Luciano Berio, new orchestral skills, the use of the "the new vocalism ", creative techniques and creative thinking of thefive movements, personality and common characteristics of everymovement, the significant impact on the modern music of the 20thcentury and so on.According to the above, this paper consists of five chapters. thefirst chapter mainly introduces Berio’s life and the development of hispersonal creative style. Berio composed a large number of works ofdifferent genres in his whole life, the form of music or creativetechniques of those works show the main creative features of themodern music of various genres of World War II, such as sequencemusic, incidental music, concrete music, electronic music, collagemusic, etc. His music has been hailed as an "encyclopedia". He useshis own unique personality language looking for a personalizedcreation, especially in his 1958-2002 years of writing in the late, Hiswriting style and features have been mature and reach the top, so it isthe important period that works with high yield. The second chapter isa few points of understanding about《Sinfonia》. Key to mention thisworks due to the twentieth Century modern music aesthetic thoughtschange effects, the new Orchestra skills knowledge, including: theexplore and use of band organization complicated, various new color,new music source, and a renewed emphasis on Renaissance"multi-dimensional soundâ€, and the use of“the new vocalismâ€. The third chapter mainly give a analysis of the main creative technique of《Sinfonia》. Mainly include: three core chords usage, twelve tone"grouping" use, "absolute melody" use, "collage" technology,integrated reproduction characteristics, and some polyphonic features(vertical and horizontal texture, homogeneity "rhythmic counterpoint",with the use of polyphony), tone (timbre characteristic tone melody,rhythm and so on), incorporating features (local staining techniqueetc.). The fourth chapter gives the "arch" structure morphology in"macro" grasp of the whole works base on the individuality andgenerality characteristic comparison and summary. The fifth chapterdescribes the importance of《Sinfonia》in the course of Berio’scompose life, and the important effect on modern music of 20thcentury, Ultimately get a deep understanding of Berio’s a high degreeof creative thinking and artistic skills.The last but not the least, according to the search result, domesticresearch data about Berio is relatively scarce recently. The authorhopes this paper could make up the status quo, and provide usefulanalysis experience and help for other scholars and Music lovers. |