Part Of Multi Grieg "Peer Gynt" Suite Of

Edvard Grieg (Edvard Hagerup Grieg, AD1843-1907) is a famous Norwegian composer, the second half of the19th century Norwegian folk music is the most important, the most representative composers. Grieg love of folk music, to Norway music to the world music scene. In this paper, detailed analysis of Grieg Grieg’s Peer Gynt Suite depth analysis of the system, how to use his unique creative approach to the performance of the music of Peer Gynt Suite body characteristics. Concluded its unique composition techniques are different from those of other Romantic composers, but also to reflect a common feature of the19th century the second half and beginning of the20th century Western music creation development.This paper is divided into five chapters:The first chapter is the introduction part, mainly introduced the selected topic significance, the research status, research methods and research characteristics.The second chapter discusses the life of Grieg and Peer Gynt Suite creative background. This chapter includes two parts:Grieg’s life and Peer Gynt Suite creative background. Grieg’s life story through the introduction and Peer Gynt Suite creative background is conducive to a truly comprehensive understanding of Grieg’s Peer Gynt Suite.Chapter third is The Grieg Peer Gynt Suite theme features. This chapter from the features of the theme tune theme tuning characteristics of tonality, theme rhythm characteristics of these three aspects to elaborate, which fully demonstrated the characteristics of the subject Grieg Peer Gynt Suite. The theme tune is mainly characterized from the characteristics of ornamentation, chromatic melody, theme tune repeated three points described. Theme tuning characteristics of tonality from the medieval natural tuning, increased the four sound minor, traditional adjust the size of this three-point discussed. The theme rhythm main features include two points:Folk dance rhythms and staggered to the beat. In short, the features of the theme tune theme tuning characteristics of tonality, theme rhythm characteristics of these three areas, mainly reflected Grieg creation of heritage and innovation of traditional techniques as well as with the Norwegian folk music combines elements of unique and personalized creation practices. Chapter fourth is Grieg Peer Gynt Suite multi-voice characteristics. Harmonic Features in this regard, also discussed the following four points:chromatic harmony, dissonant chords, parallel chords, chords of color. Polyphonic use of technology, including two points: First, imitation, complex counterpoint. Diversified texture mainly from the following three points:elaborate process and sound texture, the chord harmonies texture, continuous tone type texture. In short, this chapter is the use of multi-voice technology to interpret the music creation technology with the traditional music of Grieg Peer Gynt Suite works personalization and Nationalization writing technology combined with the musical features.Chapter fifth is Peer Gynt Suite form analysis. This chapter consists of two main parts:The first part is Peer Gynt First Suite form analysis. The second part is Peer Gynt Second Suite form analysis. Peer Gynt First Suite form analysis:towards the King,"Morning Mood "," The Death of Ase "," Anitras Dance "," In the Hall of the Mountain King " This four-part analysis. Peer Gynt Second Suite form analysis:" Ingrid’s lament "," Arabian Dance "," Peer Gynt return home "," Solveig Song" this four-part analysis. In short, the music ontology research in this chapter is mainly based on the Peer Gynt Suite, Peer Gynt Suite depth analysis of the system, a detailed analysis of Grieg how to use his unique creative approach to performance Peer Gynt suite of music ontology feature. And try to find understanding of Grieg important contribution to twentieth-century music creation and revelation.