Records State Of Mind - Zhang Qing Documentary Works

In China, a documentary rise ceaselessly, and diversified development of the times, as the documentary creator Zhang Yiqing become an independent school, in China and even international documentary film is a high-profile, his documentary, not only has the advantages of artful design, conception is far-reaching, showing exquisite, unique perspective, and also show strong life review, strong human feelings spirit and calm and trenchant critique spirit, all of which constitute a unique documentary creation style of Zhang Yiqing. As a unique documentary director, his film trilogy " Kindergarten "," white " and " New Britain and the world ", whether it is the subject or the art of care appears to form as well as the theme of expression and emotion sublimation have distinctive uniformity, consistency and originality, and we traditional documentary film morphology and characteristics have obvious difference.This paper is based on the Zhang Yiqing documentary trilogy as the research object, the integrated use of literature, comparative analysis and case analysis and other research methods, mainly from the narrative way, morphological characteristics and aesthetic significance and social value of three dimension, in-depth analysis and exploration of its record works with the narrative features and morphological features, profound understand the record of the works the aesthetic appeal and social value, so as to the future mood, emotion, mood documentary film creation and the reference. Accordingly, this article altogether divides three parts to carry on analysis and discussion.Firstly, in the first chapter, from the choice of subject matter, the narrative framework and images in subjective osmosis three aspects, on the Zhang Yiqing documentary unique narrative way and analyzing; then in the second chapter from the creators of transposition thinking, video clips of emotion and mood present for its three record works form for further analysis and elaboration; then in the third chapter of the record of the works of aesthetic significance and social value are analyzed and discussed.