From Folk Tiger Graphics Explore Visual Graphics And The Emotion Mutually Permeability

Although along with the design education popularization, engaged in graphic designpersonnel increase, but it doesn’t mean that the Chinese design of development and prosperity,but which some font, color flowery, picture a dull, tedious work, it may be that manydesigners for the benefit or other outside pressure, no will design as a rich emotional thing todo, but the mechanization of the its regard as a task, that came out of this work is not causedthe people’s emotional resonance. ACTS have modelling the form of law, has neglected thegraphics and the emotion mutually permeability, although the advancement of science andtechnology make the kinds of design in patterns. Let the human date the xia connect, but theseglaring graphics will be because of the lack of emotion and things will get only bringblundering and upset. Five thousand years we this national folk working people create\"graphics\" is not the count. In addition to present itself as meaning and aesthetic value; Alsohave as a purely appreciate embroidery, New Year pictures; More as a decorative pattern inthe mural of coloured drawing or pattern. It penetrates in food, clothing, shelter andtransportation, use and enjoy, playing fields, all hands to touch to place, all without\"survive\". Many excellent graphics behind was injected with a traditional aesthetic ideal andcultural background. Penetration of the whole nation with the wisdom of the collective andthe emotion. From the primitive society graphic symbols to civilization social classify plasticart, every time there is a constant theme, as the changes of these dynasties and change, whydo people will also took pains to depict the repeated a graphics? From tiger development ofdesign process we can see, a graphics it not only because it has the appearance of aestheticsignificance, more important is because in these graphics behind the symbols, often containdeep symbolic significance. The tiger is the totem of the Chinese ancient China, one of thetiger is broad and profound culture, many minority also and the han nationality, tiger graphicsin a long long time has been the people’s use, its form rich change, also contain a differenttimes people different emotion, this paper, from the tiger of culture, the history of the careful research graphics and the emotion between tiger mutual permeability, and thus see the folkculture of all kinds of graphics and people’s emotional mutual permeability, and will thepermeability to contemporary reference in graphic design, so as to solve the contemporarygraphic design, vulgar and difficult to be impetuous the stigma of all kinds of evil. This paperfirst studied the ancient folk tiger graphic form and emotional changes, from four aspects,1,and han tiger primitive culture significance.2, other national tiger primitive culture meaning3,tiger culture development of4and diversification of folk tiger pattern and emotions; Secondlyanalyzes the visual graphics and the emotion mutually permeability. Divided into two points,1, graphic form and the emotion mutually permeability sex in the design of2, graphics andthe emotion mutually permeability sexual relationship; Then explores the contemporary visualgraphic form and emotional relationship, divided into1, China modern graphic designingstatus description.2, the existence of the problem of restricted; Finally summarized the twoconclusions1, folk graphics in the design of the new use.2in graphic design, how to graspthe graphics and the emotion mutually permeability.