The Research Of Jiangwen’s Movie Products In The Postmodern Context

In the nineteen eighties, the social economic structure transformation brought the transformation of social culture. Chinese films were developed hard because of the push of the socialist market economy and displayed.Unprecedented heterogeneous in diverse cultural context.China’s postmodernism film began in the background of the market economic system reform in eighties. jiang wen’s films were born in such a complex, diverse postmodern cultural context. the film political history background symbolic appears, personal told the desire to show and the mainstream consciousness out are mirror that the cultural landscape mapping is in the movie narrative. Jiangwen unique creative movie ideas can be realized in such cultural soil.Jiangwen’s film products will be studied further in the paper. I will analyse extremely strong postmodernism colour that is showed in the movie text and the movie narrative strategies in the post-modernism framework.At the same time, its base is a "postmodern" theory of Christopher Jencks and Jiangwen’s film products are placed in the post-modernism context. A mirror has been provided for today’s films by his film products with full characteristic of postmodernism so that the field of vision of the movies is widened, which exerts an enormous influence.