Postmodern Context Animated Documentaty Research

With the development of science and technology and the evolution of socialthought， the creation of the documentary has gone from "non-fiction to fictionto be fiction，" the spiral of changes，each time the innovation of technology andwill promote the prosperity of the documentary and aesthetic ideas of the peoplechanges， it will follow the ever-expanding borders. Since entering the digitalage， they seem highly technical to simulate the real world of the past， the trueconcept of the documentary was also broken. The animation as a "highlyhypothetical，" the art form， as to the authenticity of the performance of theessential nature of the documentary， its legitimacy is worth considering. Thenthe animation is not a documentary or a documentary? The true concept ofdocumentary and creative ideas are subtle changes took place? Why break theappearance of animated images of "virtual" and to meet the post-modernist ideasinto a deeper level of "truth"?Although this is the main object of study animated documentary， whichaims to solve this stage animation documentary theories encountered difficultiesand promote the formation of the theoretical system of animated documentary，but we have to enter the body for the film image，documentary and animation ofthe body body properties property thinking. Therefore， the research for the filmdocumentary， animation body image theory， the nature documentary，animation， Ontology attributes of the study provides a new way of thinking.In this paper， the integrated use of analysis， comparison， example，induction and other research methods，studies from the start image ideographic，ideographic images of real documentary and animation animated documentaryimages ideographic research. In order logic as a framework under the guidanceof the use of historical research， comparison of the specific method aspect， thedevelopment of mining laws of finishing a documentary animation，documentary and fictional documentary sort of historical context and creative approach to development status， under the interpretation of the animation as apost-modern context a table is intended to use the media in the documentarylegitimacy， and to further explore its aesthetic qualities， production andcreation of the main principles of the relationship between the object and theaudience. And then establish a post-modern context of the basic theoretical ofanimated documentary research system. Following major elements:（1）from the image ideographic theory， discusses animation animatedlanguage and documentary language features in the image ideographic study ofthe theoretical sort out with the real images and animated images of thecomparison of animated documentary expressive function of the basicconnotation， while "setting "The shape and characteristics.（2）through the past documentary creative ideas， styles， study skills toexplore the real and fictional documentary， animation image space analysis of"actual situation" and to further explore the meaning of the use of animation inthe documentary legitimacy.（3）analysis of animation as a technical means， artistic style as well as alanguage used in the documentary， taking into account the style， philosophy，the audience to accept， sort of post-modern context of the theoreticalframework of documentary animation system.（4）animation and documentaries from the ontological aspects of theanimated documentary content and composition of the main principles.