The Humanness Between The Constructions

During the development of Chinese economic prosperity stage，the live life andmaterialistic outlook of people are changed profoundly from “non-ideological culture” of the“mass culture”, and the traditional significance of architecture is no longer in existence. Theinfinite replication of architecture proposition deconstructed not only the deep meaning ofarchitecture noumenon but also the aesthetic spirit of residential architectural art. The buildingowner no longer takes the double unity between the mental culture of architectureand self knowledge seriously. This binary opposition relation of building aesthetic whichmoves toward withering away basically lead the Guanzhong area dwelling house directly toseparate from ecological advantage, discard the historical tradition, lost regional culture andblind follow Suit. These form the distribution of development as well as practical problem.Investigate thoroughly the origins of and recertification the aesthetics of Guanzhongresidential buildings are very significant to develop the new residential areas.The Guanzhong area which is the major birthplace of Chinese civilization, have oldresidential culture and architectural monuments is provided with high worth of research.Based on the cognitive and exploration,combined with architecture, esthetics thought ofthe cultural aesthetic, the traditional Guanzhong dwelling house to be solved areinvestigated and analyzed, excavated and carded the key factor of origins and aesthetic ofdwelling house using integrating multi-sciences method. Affected by the factors of history,geography, culture, climate, material, grade and interaction, the old cave-house and thetypical residential architecture sample in “Jian” make a primitive dwellings which ischaracteristic by highly unified living pattern and polarized architecture facsimile. Thefacsimile space, culture and substance of the primitive aesthetic relationship derived fromphilosophy and religion, as well as the decorated pattern represented the elements areanalyzed by the paper. And then, impetus of heritage and transmission between human and this elements is discussed. It shows that aesthetic spirit essence of primitive aestheticrelationship duality unified is still the key point for inheriting and development.Finally, based on the origins and aesthetic system of Guanzhong dwelling housearchitecture which constructed by the three dimension of culture, space and time, the aestheticand inheriting of dwelling house in the background of balance urban-rural, modernizationand the choice in the development relationship are analyzed.