An Analysis Of Anji Ecological Museum

So far, it has been 40 years since the ecomuseum appeared. In the 1980s, the concept of ecomuseum was brought to our country, among which the ideas about the overall protection of nature, culture heritage, and intangible culture heritage were widely discussed. Our country started the construction of ecomuseums in Guizhou, Guangxi, Yunnan, and Inner Mongolia successively. However, in practice, some corresponding problems came out constantly, which restrained the development of eco-museum, such as the disharmony between culture heritage protection and economic development, government’s excessive intervention, inhabitants’deficient enthusiasm in participation and so on.The thesis is based on practical survey and searching relevant materials. It offers an overview of construction process and development condition of Anji ecomuseum, and then summarizes and analyzes its management and operation pattern. It discusses the role which Anji eco-museum plays in village construction and problems which it causes. Meanwhile, along with other ecomuseums’development condition, it not only tries to expose some problems in the process of eco-museum’s construction, but also puts forward some personal advice. The detailed content as follows:The first part:The thesis mainly introduces the background of ecomuseum’s appearance, gives a summary of the ecomuseum’s development process in our country, states the significance of studying Anji eco-museum, and then raises research methods applied to this thesis.The second part:The thesis sketches the general situation of Anji ecomuseum, making an introduction of Anji county in terms of its historical culture, natural geographical conditions. Furthermore, it describes the building background and process of Anj i eco-museum, providing an analysis of the connotation of its theme " Beauty ", and states the building situation and exhibition content of its three branch museums: Center hall, Special hall, and Village show hall as well.The third part:The essay focuses on the topic of Anji ecomuseum’s development pattern. From the aspect of its managing and running pattern, it explores the advantages on macroscopic coordination and each branch museum’s initial construction, too. Besides, it includes the disadvantages on experts’s and inhabitants’degree of participation in management, as well as ecomuseum’s whole management, research, and subsequent development. At the same time, it studies merits and drawbacks on Anji eco-museum’s display and infrastructure, covering how the ecomuseum works on social education.The fourth part:The thesis deals with Anji ecomuseum’s construction from the view of rural development. In the course of beautiful Anji rural construction, ecomuseum plays an active part in rural community service, local industry development, and protection and utilization of rural culture heritage. Meanwhile, there exist some problems in inhabitants’cognition and insufficient follow-up.The fifth part:The thesis presents some thoughts about ecomuseum’s development. Compared with ecomuseums’similarities and differences among "three development periods", it elaborates on the position of government and community inhabitants, the difference and effect that they make on the eco-museum, and the relationship between eco-museum and cultural protection. It also gives an account of folk culture village, cultural assembly hall, and ecomuseum comparatively. What’s more, it attempts to express a theory about ecomuseum constructional pattern called "Center Hall plus Cultural Assembly Hall". In addition, the thesis advances suggestions for ecomuseums from the following points of view:previous preparation, adolescent education, and relationship between the pattern of mobilizing inhabitants’participation and ecomuseum and so on.