Adaptation Phenomenon Of Chinese Piano Music In The Twentieth Century

The dissertation is focused on phenomena of arranging in piano composing in China during 20th century ,from a different perspective of art discipline,social concept and result of behavior .A conclusion that concept is culminating of behavior has been drawn by analyzing the phenomena.The dissertation consists of five subdivisions:the phenomena of arranging in piano composing in China during 20th century ,being ofarranging,causing of arranging enomena,significance ,conculsion .In phenomena',specificity of arranging phenomena in 'the process of music composing ;In being of arranging ,seeking the being of arranging by analyzing music arranging from the perspective of art descipline , as a kind of composing behavior and cultural phenomena. In causing ,seeking the causing of specificity and attempting to find the mutual relation between concept and behavior.In significance ,the reult of behavior,finding the meaning of existence.In conclusion ,deducing the point of view that concept is culminating of behavior.