On The Connotation Of Ecological Literary Aesthetics Of The Film

This thesis is based on the research and the theories of Ecological Aesthetics. Its writing foundation is Prof. Lu Shuyuan's spiritual ecology which appeared in one of his works named ecological aesthetics. With movies The Day after Tomorrow, 2012 and Avatar as the reaching text,it interprets the ideological basis and cultural aesthetic connotation of the formation on Ecological film . This paper argues that Eco Film is the artist's deteriorating ecological environment in the case of the art of humane care products. It contains a rich and profound culture, strong sense of the trepidation. This type of films describes the future with disaster, carries on art ideas with the collective unconscious. It shapes the characters, arranged fate of the characters with the Prototype Images (including shaped), uses catastrophic plot to render the psychological paradigm of panic and despair. Eco Film has Strong sense of raise awareness. It is reflection and criticism of human beings on the one hand, is the original appearance of the elegy on the natural and animal-style tribute to the lives of desperate population's demands on the other hand. The ultimate metaphysical thinking the ecological status of the film with philosophical and aesthetic taste, a unique form of language calling for the image of ecological consciousness of mankind, calls Spirit returned and poetic lives.