Study On The Performance Practices And Creation Characteristic About Figures Images In Television Documentaries

Depicting figures is the eternal theme in artistic field, and expressing true and vividfigures is the thing that the creators pursue forever. Everyone is a book, and everyone hasthe possibility to become the special "this one", and documentary creators take the dutyto discover it. However go with the social development and the changes in audiencepsychology, documentary images of performance is various from day to day, and thedifficulty is also growing. This text has consulted dozens of works, speaks of from theperspective of creators and from the vertical and horizontal two-dimensional perspective,makes some discussion analysis in respect of state of how to practice figures in televisiondocumentary creation field, expects to create and offer some reference to the new eratelevision documentary creation.The text includes three parts of contents mainly:First, television documentaries people-oriented. This part speaks from theconception of the television documentary, the documentary figures images and theperformance practices about figures images, and expounds the connotation about thedocumentary authenticity, and comprehensively analyzes the current research status onperformance practices about figures images. This part lies the foundation for subsequentdiscussion.Second, figures performance practices in television documentaries of differentperiods. This part divides all the television documentaries creation era to the politicsperiod, the humanities period, the civilian period and the socialization period, fromvertical studies the documentary images in different period and researches thecharacteristics of each period images. Through in-depth exploration we can see thetraditional performance practices that inconsistent with the spot record nature get fierceattack along with the development of the times. And the creation changes from previous"rational preaching" to "recovery life", from the usual "heroism" to the progressive"people consciousness", moving from the initial "respecting" to "inspecting" transition,and try to use the era, humanities and the mass practices to demonstrate the unusuallynormal people, thereby increase the record figures aesthetic load and figures from theplane to three-dimensional.Third, the concrete research about the figures performance practices in televisiondocumentaries. This part is divides to two portions. First the text explores the commonimage figures performance practice in documentaries, and then concrete analysis ofconcrete problems, for different types of documentaries shown by the figures for theindividual to explore image. Accompanied by the development of technology andcreative ideas to update, more and more performance techniques were used in thetelevision documentary category figures creations, their emergence our creativeexperience. The figures for documentaries shown by the common image of the study, themain thing gets involved in, pluralistic perspective, capture details, with feelings touching,several prominent personalities, the specific methods to achieve each were in-depthanalysis and detailed proof. Different types of documentaries exploring the images shownby the present structure fuller and more perfect, this approach will be in accordance withthe different manifestations of the television documentary category images divided intothree categories: figures in anthropology documentary, figures in propagandistic andeducational programs, and the television population figures on how performance figuresfor each category of in-depth analysis.In summary, character is the eternal performance subject in television documentaries.Display character with the unique esthetic judgment and the artistic technique, we canshape a real credible, unique Charisma typical image, and they can take advantage of richvideo art practices infected people, influencing people, so that the audience in theexperience can achieve the enlightenment and education.