On The Formation Of Artistic Conception Of Li Cheng - Han 's

In this paper, the Li Cheng winter forest analysis of the works of states Li Cheng cold forest works Zhongjing(dead wood, rocks) representation and the cold forest Qingkuang artistic conception creating these two problems. On scene(dead wood, rocks) in the image and text analysis, to explore the Li Cheng in the cold forest artistic conception generated in the process of various building the importance of environmental elements.This text is divided into four chapters, respectively, the Song Dynasty Li Cheng cold forest style form factor, technical features of Li Cheng cold forest schema, through the analysis of the works of Li Cheng, and more deep understanding and study Li Cheng cold forest Zhongjing reproduction of and in the cold forest landscape of the method and the corresponding techniques.Aesthetics of Li Cheng Pingyuan composition has a preliminary exploration. Throughout the development of the Chinese landscape painting history, Song Dynasty Li Cheng should first in the cold forest as painting subjects taken separately and painting artistic conception through the combination of the cold forest refining and Pingyuan schema, and the cold forest Qingkuang pen and ink language to express and desolate, silent.So far, we draw such a conclusion, Li Cheng through the reappearance of Zhongjing to expand the painter made of environment behavior, the reappearance did not limit the feelings of the painter expression, but more real reflects specific artist’s conception of the building. The painter through a series of landscape and so as to reproduce itself becomes more meaningful, under the joint action of the two work emerged natural reproduction, the viewer into the virtual world of feeling, painting and common experience of spiritual baptism.