A Study On The Painting Language Of Fan Kuan’s "Snow Scenery And Cold Forest Painting"

Snow landscape painting is an important subject in traditional Chinese landscape painting,and Fan Kuan’s snow landscape painting is the best of them,which has landmark significance and is sought after by later generations.Fan Kuan’s snow landscape painting has it’s unique style.This paper studies the painting language characteristics of Fan Kuan’s Snow Landscape landscape painting by analyzing the painting language of "Snow Landscape and Cold Forest Picture",and demonstrates the full characteristics of the panoramic composition of "Snow Landscape and Cold Forest Picture" by studying the origin of Fan Kuan’s panoramic composition and the comparison between panoramic composition and small landscape composition.This paper studies the lofty artistic conception of the picture of "Snow Scenery and Cold Forest Map" by comparing the high and flat composition.In the aspect of pen and ink,by analyzing the specific parts of the picture,this paper studies Fan Kuan’s unique Yu Dian Cun,which can better express the rough surface of the northern mountain,and his unique technique of heavy ink use.In the aspect of shaping concrete images,this paper focuses on the study of the shapes of trees,rocks and pavilions in "Snow Scenery and Cold Forest Map" to demonstrate the characteristics of the realistic generalization of the images shaped by Fan Kuan.Fan Kuan’s snow landscape painting is derived from his real life in seclusion.In the process of seclusion,Fan Kuan constantly learned from nature and experienced the feeling of loneliness in the high cold,and integrated his own mood into the painting,forming the artistic conception of high and cold in the painting.To learn landscape painting,we should not only learn the experience of the ancients,but also learn the spirit of nature.Fan Kuan’s Picture of Snow and Cold Forest has an elegant composition,clever shaping techniques and natural ink.In the subsequent creation process,he draws wisdom from the ancients,integrates the modern spirit,combines the experience of the ancients with the breath of The Times,and creates a new style.This paper not only studies the techniques in landscape painting,but also explores the cultural spirit behind landscape painting.By integrating the nutrients of traditional culture,my works are more full of the atmosphere of The Times.In practice,it is necessary to think deeply about the experience of predecessors,combine with their own creative ideas,integrate the creative ideas and experiences,and finally form a work with individual characteristics.