On The Dramaticization In The Works Of M. Bulgakov

Mikhail Afanassi Ossip Bulgakov(1891-1940) is the history of 20 th century Russian literature’s most creative personality of the writer, but the classic status of established writers, like the writer’s own life fate, experienced ups and downs, twists and turns. He as an outstanding novelist, playwright, short life in both the creation of like "Master and Margarita", "white guard", "Heart of a Dog" and other immortal literary classics, also participated writers such as "Figure Harbin a day ", " escape " and thought-provoking plays.We can say that he is a rare contemporary literary forms will be proficient in two genius writer. This paper attempts to adopt a research perspective across literary form, is based on Bulgakov and biographical research on the basis of the text, with the dramatic arts to care, explain, explore Bulgakov’s novels, and then to explore the theatrical creation Bulgakov’s novel concept of infiltration will produce what kind of intrinsic aesthetic effect and ideas.The paper is divided into five chapters. The first chapter is the introduction part first of Bulgakov selected topic reason and significance, research status at home and abroad, this paper research goals, methods and main contents do be concise and to the point of carding and summary. The second chapter of the analysis on the basis of differences in fiction and drama, based on the novel discusses the stylistic development process in their own drama draws extensively on artistic expression, further novels in the theatrical tendencies theoretical analysis and induction, reinforce the theoretical basis for the following discussion. The third chapter of the text, from the play three aspects specific analysis of Bulgakov’s novels in drama is revealed in the text how dramatic techniques applied in the novel, drama conflict in the novel performance and dramatic situation in the novel. The fourth chapter, from the development of literature itself, the inheritance trend of Russia "realism" tradition, the writer’s personal experience of Bulgakov’s novels, to analyze the causes of the dramatic. The fifth chapter summarizes the deficiencies of the thesis and the research achievements and papers, ready for the further research of Bulgakov’s solid foundation.A large number of practices in Western literature also shows that novels and plays two art forms are not completely separated, the two sides there has been explicitly or implicitly exchanges.A careful reading of most of Bulgakov’s works,we find that his novel creations infiltrate a number of aesthetic features of non-fiction art, especially for a wide range of dramatic art lessons and learn from, so Bulgakov’s novel showing a more "dramatic" artistic effect, effectively expanding the field offiction Poetics performance.This paper is based on text analysis to fiction drama into the starting point to explore the link Bulgakov’s novel and drama between the dramatic arts to further tap Bulgakov novel brings a new aesthetic style, aesthetic qualities, as after exploring the diversified development of different art forms provide a useful reference.This paper aims to analyze the text based on the above basis, to fiction drama into an entry point to further tap the dramatic art Bulgakov novel brings a new aesthetic style, aesthetic qualities, for the future exploration of the diversified development of different art forms offer a useful reference.