A Narrative Study Of Pu Zan - Yu 's Films From The Perspective Of Narratology

As the Asian film in the re-emergence of the world movies, Korean movie after a variety of wind and rain and tribulations, local culture as the cornerstone to South Korea, with its unique national culture and national spirit as the flag, the rise of the east, and based on the world of cinema.The rise of south Korean film has a variety of reasons, foreign, early south Korean film by China, especially Hong Kong movies, and the profound influence of the Japanese film. And when in the20th century, Korean movie mainly by Europe and the United States especially represented by Hollywood American movies. Internally, the rapid development of Korean movie and with their government’s vigorously support and the efforts of the local films, and the pursuit.The south Korean filmmaker diligence and perseverance of the spirit of the prestigious in the world film industry. South Korean filmmakers are good at learning the excellent culture of other countries and nations, and other countries and national film culture and the national culture and spirit together, complement each other, will be full of implicit meaning of the Oriental culture spirit of artistic conception with the advanced world film culture concept mastery, extract the essence of Confucian culture and Oriental culture combined with the world advanced film idea to transform traditional Korean movie culture, and has been a huge success, emerging out of the park chan-wook, Jin Jide internationally famous film director. Park chan-wook as the representative director of Korean cinema, the film both artistic and commercial, famous international, as the typical representative significance and research value.After this article in narrative Angle of view of systematic and theoretical study, based on the relevant theories of narratology, with representative works of park chan-wook--most of postmodern narrative style vengeance trilogy as a case study, discuss the narrative strategy and narrative style, mainly divided into the following four chapters:The introduction part elaborated the paper research background, this paper introduces the development of Korean movie under the background of globalization, the current research situation about park chan-wook film overview, status quo of the existing problems and defects, and put forward in this paper, research methods, innovation and research significance.To the current situation of the development of the theory of narratology and overview, and introduce the brief analysis of and the park chan-wook and their representative works vengeance trilogy.Is the vengeance trilogy as an example using the Angle after the theoretical analysis of park chan-wook film text. This chapter story, image, aesthetic vengeance trilogy three Angle of film text narrative analysis.The third chapter is the ideological analysis of park chan-wook film. Respectively through to the domestic ideological and historical reasons of the postcolonial ideology, and his works the surreal expression of three aspects carries on the analysis and research, to reveal the connotation of the hidden deep in the park chan-wook movie narrative of.After the fourth chapter mainly discusses the cultural value of the park chan-wook movie narrative context, combined with the current social development under the background of globalization, and carries on the crosswise comparison with contemporary Chinese film, to form a realistic reference value.Conclusion part has carried on the induction to the full text and summarized, points out that in the narrative perspective of park chan-wook movie narrative research value and significance.