The Violence Aesthetics In The Movies Of Park Chan-wook

The experience of Korean films for many years prompted the Korean film people to be very happy to explore the possibility of Korean films.The development and perfection of the film industrialization provided a favorable space for the creation of the film,and the relevant government policies paved the way for the liberalized expression of the creator.All of these have promoted the diversified development of Korean films,and the talent of contemporary Korean films is coming forth.As the leading character of Korean contemporary film,Park Chan-wook is a important and special presence in Korean cinema.He conquered the domestic market with his own unique style and won the applause on the international stage.His director's career is not a smooth sailing,from the confusion of the first time as a director,to the experience and lessons in practice,and the growth of a step by step.He has never given up the higher pursuit and better expression of the film creation.The "revenge Trilogy",as his representative to the world,is also the three film of his most valuable research.The three films,with "revenge" as the theme,"violence" as the core,uncovered the dark side of Korean society and the dark side of human nature.In his film,he combines the cultural philosophy of the east and the west,not only to deepen the content,but also to pursue a variety of expressive techniques,and to develop violent films with a strong personal style,both artistic and commercial.Park Chan-wook frightened the audience's heart by showing "the violence".The path of his violent films is not without reason.The development of Korean modern history and Korean films deeply influenced his violent style.In his works,he did not take violence as the ultimate goal,only to show the visual stimulation,but to carry a profound social moral reflection and human excavation,through the sound of violence,let people criticize the distorted society,and warn everyone to pay attention to the inner self,so his violent films have aesthetic significance and are of reference value to the development of violent films and the diversification of Chinese film art creation methods.From the background and experience of his growth,this paper analyzes the objective and subjective factors of the formation of his violent movies,and deeply studies his unique style and meaning of violence aesthetics.Finally,it analyzes in detail the actual film from the elements of creation.Focusing on the violence aesthetics in his films,the author traces the reason why he has a unique element of violence,explains what his stylized violence aesthetics is,and how he embodies the "revenge Trilogy".