The Study Of Park Chan-wook's Black Movies

As a famous director and innovator of Korean films,Park Chan-wook is devoting himself to observing the world with a sharp eye.His works have a distinct and unique black style.Park Chan-wook inherited Hitchcock's films language and the expression of human nature theme excellently.At the same time,as a philosophy major,he contacted with more western literary works,and many classical literature had an important impact on his film creation.Park Chan-wook university age was in an important period of social changes in Korea.People's democratic movement and students' movement were constantly erupting.He saw the unfortunate experiences of the people at the bottom of that era,which also had a profound impact on his later films creation.His works usually have a strong black charm,inadvertently reveal a kind of dark consciousness,and with strong personal emotional expression.The scenes of bloody violence in his films are unavoidable,and sensitive materials such as incest,homosexuality and terrorism are also skillfully used in his film creation.However,these scenes and plots are not intentionally propagated.Their ultimate purpose is to serve the excavation and expression of human nature better.Their narrative style and context system have strong personal color,and he controls and understands the Montage style very deeply.Park Chan-wook is good at expressing his concern for the inner world of characters and his analysis of human nature by means of cold tones,bright colors and exquisite spatial composition.His works such as "Revenge Trilogy","Joint Security Area ","Night Fishing","Miss" and so on have won international awards,all of which testify to his super creativity and his mastery of audio-visual language.The unique performance of Park Chan-wook's works in film aesthetics can give important inspiration to today's film creation.Paying attention to the external performance of the films,it also has its inner soul shaping.It combines human nature analysis and type narration to improve the international cultural carrying capacity of the films.