The Research On The Culture Of Jingchu Art

China is the first country to plant mulberries for sericulture and weave silks in the world. Chu silk embroidery is the most dazzling gems because of its luxurious texture, diversification varieties, beautiful colors, so that any other art forms can't compare. From the archaeological discoveries of silk embroidery materials, it can be confirmed that Chu's silk industry can represent the highest level of China's silk technology. In view of the present archaeological discoveries, most of the Jingchu silk embroidery works are made in Spring and Autumn period. Therefore, the main object of the paper is archaeological silk embroidery patterns found in the state of Chu during the pre-Qin hinterland and related literature books about Jingchu silk embroidery patterns.One of the prominent features of Jingchu silk embroidery is its sophisticated patterns. And its patterns are diversification and complex, colorful and rich subject. Although it has the overlapping and interludes layers and the complicated structures without chaos, and create a very beautiful art world.We understood the Jingchu patterns from the patterns of lacquer and bronze generally in the past. With the discovery of unearthed textiles and systematic research, people have accessed a number of new knowledge. Comparing to other objects patterns, the Jingchu silk embroidery has a lot similarities to the bronze and lacquer patterns in materials and modeling, but they show different art temperament because of the technical reasons. With a comparison to the decorative style of the late Spring and Autumn Chu bronze, lacquer ware and jade, the Chu silk embroidery patterns shows a more different art characteristics that it is pursuing a dynamic, lively, mystery and wealthy aesthetic world. The patterns art on the Jingchu silks and embroideries is not a dispensable virtual decoration, but a decorative art load of Jingchu culture. Therefore, the analysis and research of the Jingchu silks and embroideries patterns is benefit for the in-depth study of Chu culture and modern design and art theory.On one hand, the paper has been unearthed and analyzed the patterns themes of Jingchu silks and embroideries' excavated and recorded in the relevant books from archaeology, design study, design arts in perspectives and combed its cultural connotation and explained its causes from sociology, folklore, art. On the other hand, the paper has depicted and summed up the form and composition of Jingchu silks and embroideries' patterns and their artistic temperament from the art, and analyzed its artistic expression approach and the cultural relevance between the artistic expression and the main thrust of the arts from the form of aesthetics, image science, art visual perception. On the third aspect, the paper has reduced the production process of silks and embroideries' patterns art from the technical analysis and explained the identity of technical and artistic that embodied in the process of the Chu people's creation, production of silks and embroideries' patterns.