The Analysis Of Jingchu Patterns Evolution On The Impact Of Taoist Philosophy

The state of Chu during the Spring and Autumn, a country of myth color and melody of music and dance, is the origin of China Romanticism Art. The times' spirit reflected in the Jingchu patterns, their style is characterized by the wonderful image and romantic passion. The Jingchu patterns often depicted images of natural by the romantic and magic performance. They restrict to the object,do not lag in mind, and the forms move up and down. By the magical thought of worship and pursuiting to show the life characteristics of national Chu .The Heaven, Earth and God are in the same time both the Ancient and the modern with a romantic style.Not only the kinds of Chu field religion worship makes the lines created more nimble and vivid,but also the exaggerated romantic feelings, individual's main consciousness and vast universe consciousness of Lao Zi and Zhuang Zi are embodied sufficiently in JingChu lines. Therefore, all the modeling of Chu implement we can see , embody the aesthetics character deft , effective , queer and elegant. In the Jingchu patterns, we can often feel a serie of images' combination of mysterious strange, which is the vivid manifestation of larger freedom, liberation of the aesthetic thinking about the Zhuangzi's "not preclude objects", "independence and the spirit between heaven and earth". At the same time, the Jingchu patterns reflect a pan-I spirit to self-melting things, the environment, and all sentient beings. The spirit of pan-I, belongs to the god, belongs to the nature. Its aesthetic ideal of the "natural" is the same as the Taoist thought "should be of nature, don't do it."The art design must rely on the concrete culture environment. It can only be feeble not having the Smriti's culture connotation. Inheriting and developing all the excellent tradition, is not to melt in the ancient object, but to inherit the idea of tradition spirit. A nation's tradition culture and their mentality structure of the aesthetic, affects the aesthetic's characteristic of design culture directly.According to this,the paper will analysis the Jingchu lines' evolution on the impact of Taoist philosophy, complying with the archaeology, history, sociology, psychology and the folklore.In this paper, on one hand, the auther need to explore the relative of Laozi and Zhuangzi born in Chu field and the Chu culture's origin, and study the essence of Taoist philosophy in-depth and criticism the essence of Taoist philosophy unprincipled, on the other hand ,to summary and analysis law of the evolution the Jingchu patterns. The evolution of Jingchu patterns include the evolution of theme, shape, color, composition and other elements. There are many reasons to affect the patterns' evolution, including the social productive forces, economic, political systems, ideology, culture , Folk, and many other effects. This period is an important turning point of Chinese -from slave society to the feudal social.Here, all sectors of society changes dramaticly, and the people's minds are also in the state unrestrained . Taoist philosophy is one of the most important theories in the world. From the aspects of main art, aesthetic value, aesthetic psychological and artistic creation, the Jingchu patterns arts and its evolution are affected by the Ontology of thinking of Lao Tzu's "Tao", the philosophy's claim of "Tao Follows Nature," the logic way of thinking, aesthetic thought of the great form without shape the Zhuangzi's natural aesthetic ideas of freedom, the aesthetic attitude of "quiet" and "materialized" and the art practices of exaggerated deformation.