Jingchu Culture And Tang Dynasty Literature Research

Jingchu culture is not silent in Tang Dynasty.It was not only activated by the writers in the area of poetry,landscape prose and romances,also showing its strong penetration force and the infection on the literature.This paper is divided into six chapters.The first chapter outlines the historical development and characteristics of the Chu culture.Based on the analysis on the concept of "Jing Chu",on the Chu culture’s history,and the comparison of the Chu culture and the culture of Jiangnan,we think "Jing Chu" is a set of geography,history,culture as a whole concept,Chu culture is different from the Central Plains culture,and the barbarian culture.As a kind of composite culture,it adopts the advantage of the Central Plain culture and the barbarian culture.It is advancing with the times and yet keep the regional cultural independence.It has four style features in Jing Chu culture:the tradition of remembering fathers in deep mourning and attaching importance to filial piety,patriotism and faithfulness to the throne,the popularity of Wu and open-minded culture personality.The second chapter analyzes the development status and characteristics of Jingchu native literature in the Tang Dynasty.We try to take a census of the literati and family creation on the Chu local,explore Chu’s humanistic spirit connotation in the Tang Dynasty,and delve into the actual performance and influence of this humanistic spirit which having an impact on the Jingchu native writers.The third chapter discusses the influences of cultural spirit of Qu Sao on literati in Tang Dynasty.The poets accepted the overall point of Qusao on the aera of literature in Tang Dynasty,whose poetry creation were more or less stained with Qu Sao culture,especially JingChu local poets and roving authors.Their poems show more the regional characteristics,which are mainly manifested in the "sad" theme tendency,Chu scenery the choice of images,the Bixing skill of "patriotic and loyal to the throne" "and the tradition of "setting great store by feeling".The fourth chapter discusses the influences of JingChu goddess legend on Tang poetry.Taking Hanshui goddess,Xiangshui goddess,goddess of Wushan as the main research object,we thought "Jianghan swim female" is concerned with"Travel"."Travel" has three special means including holiday,marriage,survival in literature in Tang Dynasty.There were differences in the basic characteristics,leading character,a typical symbol,typical behavior of several aspects between the Xiangshui goddess with Hanshui goddess.Xiangshui goddess’s Beiyuan characteristics has been broaden in the Tang Dynasty to make the portray moving to a diversified development.Wushan goddess is a master of goddess image.It has all the characteristics of Hanshui goddess and Xiangshui goddess.It also appeared the characteristics of erotic,secular in the middle Tang Dynasty and.after.From the Tang "direct singing skill",Tang prominent Wushan goddess body appearance and temperament and demeanor,to Tang presented "erotic Fairy" bias,then to the late Tang Dynasty completely criticism on the Wushan goddess,the transformation of the rise and fall of dynasties,literati mentality affected the theme tendency of Wushan goddess of poetry.Especially the female writers have many ’women’s self recognition and self reflection in their Wushan Fairy Poems,whose poems content tending to love is narrow.The fifth chapter discusses the influences of Chu landscape cultural on aesthetic qualities of landscape poems in Tang Dynasty.This chapter focuses on the local poet Meng Haoran and roving poet Liu Zongyuan.The two were displayed in different aesthetic way of China ancient landscape literature.These two aesthetic modes are derived from the original landscape worship consciousness.By depictting natural landscapes or depictting the personification of the landscape,it expresses poet’s love of nature,attention of the relationship between man and nature and the nature of dialectical thinking as the highest aesthetic pursuit.So,their common feature is "spiritial","affectiounate".They are four differences in the following aspects:formula for creation,creative attitude,creative motivation,artistic conception and writing style.The sixth chapter discusses the influences of the Jingchu ballads on poetry in Tang Dynasty.Based on Nanyin and Wuyin as source,Jingchu ballads has also developed considerably in the Tang Dynasty.Except to a lot of Chu palace music and dance,the West music which period in the Southern Dynasties is still popular in Tang Dynasty.Zhuzhici appeared with Jingchu features at this time.Literati "Zhuzhici" with its"lyrical" Chu dialect,phonology and strange sound of Chu and the original smart dance form of performance style theme and Chu custom picture sad resentment,make it become a kind of new style unique charm in poetry in Tang Dynasty.It uphold the"Nine Songs" since the tradition of folk songs,and is closely linked with "Nine Songs"from form to content.Liu Yuxi created the new" Nine Songs ",as a regional style in the literature in Tang Dynasty.As a major manifestation of Jing-chu ballad in the Tang dynasty,Ta-ge retained the original dance forms including the arm in arm,stamping their feet at the same time as the rhythm and so on.lt reflects the basic mode of group consciousness and aesthetic,which revealed people’s passion,enthusiasm,grief,the deep feeling and fully developed the Jing-Chu tradition of setting the srore by feeling.