On Painting In The Relationship Between Subject And Object

Whether it is ancient Greek and Roman times and present contemporary East and West, art is always a child of the times, while integration of the author's thoughts and feelings. Of course, such civilized human society has also been the level of ideology and the impact of technological development, but works of art, as when the era of the representatives of civilization and embodies the sacred and the future generations of civilization played an indelible and far-reaching impact. In China five thousand years of ancient culture, philosophical system to guide the development of society, human progress and civilization of the generation, the emergence of Chinese traditional painting and development of catalytic, drawing subtle influence on the guiding role of Humanistic ideas of the Chinese Painting produced deep-seated influence on later theoretical basis for the formation of the painting. Chinese painting is particularly rich in arts and philosophy of mean.In traditional Chinese painting system, the arts as a major category continues to this day, it is not only the times the representatives of civilization, but also because it is the existence of ancient civilizations laid the cultural heritage, to attract Chinese and foreign people who love the art of pursuit. The integrity of their ideology on the people's thoughts have a profound impact, in the painting field, by this thinking has produced a Chinese painting system. As Art "subject" who, in the painting area, the work is the creator of the character and the environment, the decision is a product of the spirit is the spirit of revelation, but also the spirit of the end-result. As art of the "object",Use it to convey a "subject" of the thoughts and feelings, is an expression of the spiritual world. In nature, only one sort of understanding with people connected to Wu Tong will realize the true meaning of life and nature only sensible true relationship with nature in order to enter the realm of things I blend real.In Western painting system, the relationship between subject and object has been accompanied by the development of the history of painting. Each stage of development reflects the development of the social ideology, the extent of development of productive forces, it is ideological shift, integrated reflected in the paintings. Whether it is still underdeveloped productive forces of the ancient era of advanced science and technology of modern society, art has always played a highlight role, embodies the era of civilization.The era of my life with each passing day, the era of rapid economic development is the frequent exchanges between Chinese and Western cultures of the era, the era of rapid advances in knowledge, in the modern economy and society, people have become increasingly concerned about the standard of living of the progress, quality of life increase, however, play a pivotal role in culture, only the cultural progress of society in order to make real progress, but it can not be a lack of traditional social and cultural factors, we have a deep cultural heritage, they must be mining, inherit and carry forward.This painting system around the "subject" and "object" relationship problems with the school's own expertise on this issue express their personal point of view, is both a re-understanding of traditional painting, but also is drawing development to continue their studies to learn the beginning, in addition to systematic study of traditional culture, but also better understand that only painting can be, as to convey my personal ideological level the only way to learn more firmly on the painting.