Subject And Object

The issue mentioned in this paper is related with modeling of Chinese painting, it starts from "To perceive object voluntary and paint it" and discuss the modeling rule of Chinese traditional painting, meanwhile analyze the modeling of ancient scholars' painting based on this rule. In order to develop this analyses and research easily, it also refers to the issue between the relationship of main body and object during painting. Through the analyses of "To perceive object voluntary and paint it" between main body and object, modeling of ancient scholars' painting between main body and object and Compare both of them, It finds that modeling of ancient scholars' painting falls away from "To perceive object voluntary and paint it".During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting , relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ", "simple" and "formality". It considers that ancient scholars' painting lean to main body seriously and despise subject. Finally, to compare the main body and object between ancient scholars' painting and "To perceive object voluntary and paint it", It finds that modeling of ancient scholars' painting differents from "To perceive object voluntary and paint it".