"Ruins" Image In Family Novels During 1930's-1940's Family Novel

Traditional Chinese family novels began from the "Golden Lotus" during 1930s-1940s,which push a peak of novel creativity , and produce a large number of characteristics during that time and to regarded as classic works.During 1930's-1940's in China, traditional culture is gradually giving way to modern culture. Western thought brought about the liberation and human liberation, "Doll's House" will bring the family relations between the sexes think, down the hole in the shop selling the three cardinal guides and the five permanent members of the same culture, fundamentally shaken the establishment from the Late Han has up the feudal family system. In a capitalist commodity economy under the impact of cultural foundation of rural society is the impact of a crumbling economic base, which more and more difficult to sustain the traditional family. Turbulent social system, the stability of the family blood ties have become fragile, the mirror in Western culture, but also the more exposed the shortcomings of its repression of human nature, ideas in progress with humanitarian intellectuals and writers, it seems, family Lu Xun said, culture is man-eating culture. In this case, a large number of family to describe a dead end family appeared ,such as "Golden Family" (1927-1932) by Zhang Henshui;" The Prairie of KeErqin Banner " (1933), by Duanmu Hongliang ;Ba Jin's "Torrent Trilogy" ( 1933-1940); Lin Yutang's "Moment in Beijing" (1938-1939), Lu Ling's "Children of the Moneybags" (1942-1944), Eileen Chang's "Golden Lock" (1943), and Lao She's "Four Generations "(1944-1948), and other produce, and they co-write a face of traditional and modern communication, collision of Eastern culture and Western civilization, the era of revolution and war in the burning of the traditional Chinese family culture fission Images of Chinese families during the . In their description of them, most of the family culture, family show a "saw his building collapsed," the decline of weather, which among all the ruins of images highlights the decline of writing is typical of weather images.Ruins of the image, in the 20th century, four decades of the family novel interpretation of which has important cultural significance. This article is divided into four parts of three to four decades of the 20th century family novel images of the ruins of a typical analyzed. The first part reviews the history and evolution of family novel family novel of a brief review; second part of the family culture change in the era of cultural analysis indicated that ruins the image of fission is the externalization of this culture performance. By analyzing and comparing large family compound and the walls collapsed after a large family to show the extravagant and abandoned ruins, glorious and broken in a short time in the changes that this change is China's social and cultural development experienced by the epitome of great historical change. The third part of the ruins of the implication of Confucian culture, a symbol of the collapse of order and system, and analyzes the "Moment" among the Taoist culture in which the performance of this culture fission. Last part analyzes contemporary Chinese culture in 1930s-1940s novels attacked by writers and its contemporary manifestations in the role of family novels.