East Asia Long Into The Early Oil Painting

East Asian painting as the product of Western Learning, settled in East Asian countries one hundred years of history, followed by Western art history, from toddler to babble almost across the history of Western art to follow through every one "shooting star" from the academic, impressionist, modern, European abstraction, U.S. abstract, pop and even post-modern painting, of course, in the long history of Western Learning, which is almost filled with the East's economic and cultural fields. In the face of the impact of this ideology, East Asian countries is not the same reaction. To great nation of China itself,400 years ago has shown signs of oil or alarm. Meiji era (1893) began in Japan would advance wave upon wave into oil painting artist's studies and learning. Japan, a nation with its unique cultural ethos, the Americans in one called "Chrysanthemum and the Sword," the book, in-depth analysis of this soft and persistence. Attitude in the face of Western culture with our very different, this quality driven Japanese devout, crazy learn from the West, the rapid rise. East Asian countries but also to a recent study of Western channels and windows. Research is that South Korea can start painting from Japan, rather than Western countries. After nearly a century of development of Western painting as the basic form in East Asia has its own system of national characteristics of a painting. Although we can not and has 56 centuries of Western painting competing over looks, but if we compare the Western oil painting and even seductive beauty of a mature young woman, look at the development of East Asian painting today, described as "my family had teenage girl."This article is based on the material to enrich the system and a detailed analysis of the development of East Asian painting, oil painting of the incoming track of development and change. Introduced the West to accept new ideas and carrying oil development in East Asia and the East Asian cultural circle formation influence on the aesthetics and the development of national art circles of various social mechanisms and painting in East Asian countries play an important role in the development of the social aspect of deep of the East Asian countries to accept foreign culture, attitudes and methods of psychological factors, trying to sort out and provide clearer birth and development of East Asian painting the context and the actual state of reality, analyze its pros and cons of the existence of a variety of underlying causes and make their own objective opinion and reflection. In the current information age, the Western culture and a strong trend of globalization are increasingly digestion of ethnic differences, particularly in developing countries tend to be the traditional culture of Western assimilation crisis, East Asian countries are looking forward to their future. How to absorb the Western culture while learning to perfect implantation of local culture, promote the development of their own culture is a common problem faced by East Asian countries. Throughout history, countries in East Asia over the soil in the East are closely linked and frequent communication, even with the ongoing conflict. Today we learn from the West and strengthen itself, but should be mutually accepted and absorbed Western culture as a mirror, so painting in East Asian countries through this research and dialysis, analysis of each country's success and failure and facing confusion and the situation of oil painting in China, East Asia and the world oil painting oil painting the future development and progress will certainly play a positive reference.