Research On Esthetics Between Transformation Of Framework In Chinese Calligraphy And Variety Of The Form Of Architecture

It's well known that poit, line and plane are the basic generator of form. Analysing these abstract basic elements is a way of understanding art form. Originator of West abstractism --Wassily Kandinsky had carried out detailed analysis of the properties of these three artistic elements in his classic works--"Point and Line to Plane". He believed that:"if we are beginning to make point separate from its narrow range, then its inner property still silence now will make an increasingly strong voice","Is extrinsic to the concept, every independent of line or form of painting is an element. Is inhesion to the concept, the element is not by itself, but the internal tension active in it. In fact, the shape is not a matter of the content of the paintings, and this dynamics become its content only when the dynamics be equal to the tension that active in these forms". Had every point and line be its spirit, a painting will be its interior life.In the points and the line of Chinese calligraphy, they have the same principle. Each point and every line has its own air. Sun Guoting describe the air of point and lines in Chinese calligraphy in his works--"Chinese calligraphy theory":"it like Spring boiled from the land when writing, like Mount Tai when sign off. The point and lines are delicate like the moon appear in sky, and the structure like stars in the galaxy".For the architecture, studying constitution of architectural form can also start from the basic elements --point,line and plane. It's different that these elements are in three dimensional space, so they evolve to the entitative elements of the characteristics, such as contents, shape and texture…etc.Studying architectural form design can absorb nutrients from the other arts. Chinese calligraphy is a form of oriental art with distinction , The Cursive Script has already broken the frame of the Chinese character to some extent. Researching transformation of framework in Chinese calligraphy can provide many beneficial enlightenment. The first chapter is introduction, the second chapter research from abstract beauty between Chinese calligraphy and architecture, the third chapter is mainly analyses the "shushi" and its four main features, And analyzing esthetics between variety of the form of architecture and them. Then analyzing the mutualadvantage between"momentum"and"forms".This is the main part of the article.The fourth chapter analyzing five main methods in esthetics between transformation of framework in Chinese calligraphy and variety of the form of architecture. The last chapter is thinking and conclusion.