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Virtual And Real, With Or Without

Posted on:2012-07-12Degree:MasterType:Thesis
Country:ChinaCandidate:S L MaFull Text:PDF
GTID:2132330335485070Subject:Art of Design
Abstract/Summary:
This topic "virtual and real, with or without-the study about the creating way of Canglang Pavilion," is the author's further study of the field of aesthetics which has Chinese characteristics. As a major aesthetic issue, the aesthetic characteristics of virtual and real is culture for thousands of years, from the Qin Dynasty beginning to explore the Taoist philosophy, to the "Mystery" Weijin philosophy and the "Emptiness and the form" of Buddhist philosophy. Chinese culture has never been out of the " virtual and real" in this unique way of thinking to explore and research.Virtual and real, if drawing them together, it is a fundamental aesthetic concepts. Separately, the virtual and real constitutes a unity of opposites, derived from the various aesthetic and understanding of the nature of art. From this perspective, the virtual and real constitutes one of the main lines of Chinese aesthetics. A variety of ancient works of art and literature can be proof of the judge. Not just the ancient, on the current, we all can still use the actual situation to further examine the beauty. For impressionism, cubism and abstract, there is a shadow of virtual and real in aesthetic.In the "classical gardens of Suzhou," Mr. Liu Dunzhen says:"Classical Chinese Garden is a big success and unique style of garden art system." I believe that the way of virtual and real is the "unique style of garden art system "An important component. Chinese garden is part of Chinese art, with poetry, painting, calligraphy, fiction, drama, they all share the same philosophy and aesthetic expression, as an important aesthetic concepts, virtual and real becomes one important aesthetic criteria of gardening.Through case studies of the Canglang Pavilion, I refines a variety of ways of virtual and real of Canglang Pavilion. Any aesthetic theme needs to be restored into the real work, and any works embodies the aesthetic ideas. In this article,style and discussion structure, the "virtual and real" has always been discussed as a research basis for the carrier and consistently throughout the article, in addition, the article still retain a certain amount of study to expand the scope of related topics, though these extensions are small length, but they are the key point of this discussion of practical significance, but also the starting point for other scholars and direction.
Keywords/Search Tags:virtual and real, contrast, Morality, Canglang Pavilion, force
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