"Presention—Constitution" Canglang Pavilion Under The View Of "Over Determinaition"

The text of the study questioned whether the Suzhou garden had a "structure" that can be grasped or other "benefits".Inspired by the painting after Impressionist.This article try to distinguish the meaning of "Natural","Present","World","Constitution","View","Overdetermination".Re-read the Canglang Pavilion,observe the historical facts and realistic conditions of the Canglang Pavilion in different aspects,such as: frame,elements,circumstances,boundaries,mood of painting.The author found:in the landscape(frame)of the garden,as the concept of "frame" and the concept of "landscape" in the frame is determined;the orientation of the elements of this behavior is determined;circumstances and garden activities is determined,After the division of the region,the reconstruction of the boundary is determined;to operate a picture of the mood is determined,And these side of the specific image,and even location will be affected by a variety of other external conditions change.The author realizes that the real certainty of the garden is not in the external form,but has its internal structure to organize everything,that is,the constant "overdetermination " to form a relationship.And only when this "overdetermination" constitutes a proper and true role,the original appearance of things can be presented to us,and the fact in the garden is "natural".