| Modern architecture in Harbin is the result of the collision and blending of western architectural trends and traditional Chinese architectural culture at the turn of the century.Its decorative form not only reflects the development trend and aesthetic trend of western architectural art in this special historical period,but also reflects the principles and mechanisms of the beauty of architectural decoration.Studying the exterior decoration of modern buildings in Harbin from the aesthetic point of view not only establishes and improves the aesthetic theory of architectural decoration art,further explains the aesthetic attribute of architectural exterior decoration,but also is an important theoretical basis for integrating urban history and architectural spiritual and cultural sites,and exploring the development and protection of urban historical buildings.This subject is guided by the Marxist Scientific Outlook on Development,takes experience and ideas as the starting point of research,takes western aesthetics as the theoretical basis,and carries out a multidisciplinary and interdisciplinary comprehensive research combining the theoretical viewpoints of formal aesthetics,pragmatics,aesthetic psychology and aesthetic field theory.Based on the data of field survey and mapping of historical buildings,and taking the unity of artistic experience and aesthetic concepts as the criterion,the modeling features of representative artistic style decoration in the process of modern transformation of Harbin city are explained in multiple directions and perspectives.On the basis of analyzing and interpreting the background of the formation of art style in the process of modern transformation of Harbin city,it reveals its typical characteristics in the process of development and evolution at different stages;It also compares the ethnic differences in artistic concepts between Russia and northern China,as well as the similarities and differences in architectural decoration with Harbin "Art Nouveau".The typical decorative language presented by the "Art Nouveau" architecture in Harbin during the process of modern transformation is summarized,and the aesthetic value of the exterior decoration of Harbin modern architecture is explained in multiple directions and perspectives,based on the detailed mapping data and data as the theoretical research basis,and based on the unity of artistic experience and aesthetic concepts.Combined with the analysis and interpretation of a large number of decorative design cases,it reveals the formal order and essential characteristics of Harbin "Art Nouveau" architectural decoration design.Using the formalist research method,this paper puts forward the hierarchical meaning of the internal mechanism of decorative representation from the aesthetic essence level,including the formal level,semantic level and logical level.On this basis,starting from the aesthetic phenomenon of the interaction between subject and object in aesthetic activities,this paper analyzes the aesthetic effect of the experience form,function form and information symbol of aesthetic feeling,and then goes up to the philosophical level to explore the aesthetic phenomenon of the blending and infiltration between aesthetic culture and architectural decoration.Through the analysis of the typical artistic style of Harbin’s "new art" architectural decoration,it reveals the unique value of the integration and development of urban art and architectural decoration culture in the process of modern transformation.Furthermore,in view of the representative "new art" architectural heritage protection in Harbin in a specific historical period,this paper puts forward the architectural heritage protection strategy of "driving regional development with art form". |
