Aesthetic Study On Outer Decoration For Modern Harbin Architectures

Harbin Modern Architecture is a product of the blending and clashing fromWestern architectural ideological thought and traditional Chinese architecturalculture at the turn of the century And its decorative form not only maps out thedevelopment trends and aesthetic tendencies of Western architecture art in thisparticular historical period, but also reflects the principle and mechanisms of thearchitectural decoration beauty. From a decorative perspective, studying the Harbinmodern architectural beauty, which is an important way to integrate the historicalculture and architectural spirit place, but also an important theoretical basis toexplore the development and protection of urban historic buildings.The project takes the scientific development concept of Marxism as a guide,experience and ideas as a starting point for research, Western aesthetic theory as abase; and in combination with the morphology, linguistics, semiotics, and aestheticpsychology and other theories, multi-disciplinary and interdisciplinary integratedstudy is conducted. On the basis of field research and mapping data of historicbuildings, the unity between the artistic experience and aesthetic values are used asa criterion, multi-faceted, multi-angle, interlocking and deep resolution areconducted for the aesthetic significance of the Harbin modern architecturaldecoration.The paper summarizes the characteristics of architectural aesthetics throughthe induction of the influencing factors of the architectural decoration beauty, aswell as combing the manifestations of Harbin modern architectural decoration.Through the interpretation of the architectural decoration aesthetics thoughts andartistic language environment, it clarifies the architectural decoration beauty formcomposition and objective performance of aesthetic imagery. On this basis, thepaper, from the perspective of the aesthetic subject, decomposes the structure andmorphology of beauty in aesthetic activity, and further rises to a philosophical levelto explore the blended and mutual infiltrated aesthetic phenomenon betweenaesthetic culture and architectural decoration.Creative work of this subject is mainly expressed in the following aspects:use the Five in One theory research method, that is "cause, shape, meaning,context, sense", to establish the theory frame of Harbin modern architecture outerdecoration aesthetics;reveal the noumenon rules of the Harbin modern architecture outer decorationart from externalization of expressive intent to materialization of aesthetic image;apply "memetics" to construct the transmission system of architecture decoration art language, and reveal the dynamic development path of mingling andpermeation between architecture decoration and aesthetic culture.Isolated, static interpretation from the perspective of the building decorationitself has lost its meaning, but an urgent need from the history, the overall, thedynamic point of view to explore and explain architectural decoration, aestheticproblem is the purpose of the subject taking Harbin Modern architectural decorationas an example. The theoretical framework that the subject constructed is offar-reaching theoretical and practical significance to the protection of historicbuildings, the spirit of historic buildings place as well as Chinese and Western spiritand the future development direction in the urbanization process.In short, the paper focuses on the meaning of the beauty in the Harbin modernarchitectural decoration research, deriving a theoretical analysis. The issuesdiscussed are related with the expression of beauty in the architectural decoration.The thesis attempts to interpret the aesthetic significance of the modernarchitectural decoration, from a clear research structure, making the classificationstudy according to aesthetic characteristics of aesthetic form presented in theHarbin modern architectural decoration, and from the perspective of generation,performance, logic, image, perception and other aspects.