About The Necessity To Establish Chinese Transnational Visual Art Institutions

The thesis is divided into two parts, the previous and the next. The previous of the thesis comprehensively analyzes the necessity of the establishment of private transnational Chinese visual arts institutions. The next discusses the possibility of establishing a transnational private art institutions, then puts forward the idea and countermeasures of establishing transnational private visual art institutions. The thesis analyzes the necessity of the establishment of private transnational Chinese visual arts institutions from the following five aspects:responding to the global cultural convergence of crises and the cultural identity crisis, getting rid of the control of western Discourse right, fighting back the challenges of the mature business models of world-famous private international arts organizations, seeking a breakthrough to solve the plight of survival Chinese private visual arts institutions and overcoming the limitation outputting of arts of domination by Chinese government art institutions. Every aspect is discussed deeply, and the previous part forms the main content of the paper. The next discourses the possibility of establishing Chinese transnational private visual art institutions by analyzing the opportunity and the foundation in reality of various Chinese visual art institutions. Then discusses the idea of Chinese policies and strategies of establishing transnational private visual arts institutions:firstly putting forward the policies of the government supporting the development of arts and cultural from the macro level, such as legal and administrative policy, economic policy and cultural policy, followed by a private art institutions in China should take a variety of micro-level strategy, the choice of a variety of business models, and finally discusses to perfect the mechanism of academic and media support for the multinational operations of Chinese private art institutions.This paper presents some newer viewpoints, such as the private visual arts institutions should replace the government-led institutions and become the subject in the diplomatic activities of Chinese art; it is urgent that establishment of Chinese private international visual arts; the limitations state-owned art institutions of Chinese government-led to "go out" become more and more obvious; now there is a perfect opportunity of reality of establishment of private transnational Chinese visual arts institutions; Chinese cultural identity crisis should be payed great attention; at present the main aim is not only to output the Chinese culture and art, but also to have more international perspective and integration into the various fields of the host country’s social development; now Chinese transnational private visual arts institutions need to win the initiative and participation art market in the world, rather than to snatch the right to speak of world art; the main content of business output of Chinese transnational private visual arts institutions should be contemporary art rather than the traditional Chinese art, and so on.