From "Sound" To "Scene":The Scene Shaping Of The Sound Language Of Radio Drama

Radio drama is a combination of character language,music,sound three parts of the form of artistic presentation,due to the characteristics of the communication media,radio drama can only give the audience voice this form of expression,only let the public through hearing to imagine the picture,thinking and judgment,such a unique way of communication expression allows the audience to have more independent thinking time and scenario imagination space,so the radio drama broadcast to the voice shaping ability of the speaker will also have higher requirements.By combining the theory of soundscape,the broadcaster can better convey emotions with sound and achieve the effect of "sound" immersion.This thesis starts with the theory of "sound landscape",combines radio drama with sound landscape theory,links character language,music,sound and theory,under the guidance of sound scene theory,the work "Fire Hero" pays more attention to the spatial distance of sound,scene structure,ambient sound,music rendering and listeners’ life experience and auditory experience,with the actual actions and psychological activities of the characters,so that the audience can listen to the truth,have a more sense of substitution,and make full use of sound language to construct scenes.Let the voice of the presenter and the inner vision of the audience be clearer and more real.At the same time,in terms of material selection,the radio drama with the theme of fire protection is selected for practice,hoping to do fine and excellent in the quality of the work,achieve positive energy in the spirit of communication,and also hope to let more listeners understand the difficulty and strength of fire heroes through this work.The radio drama "Fire Hero" is practiced under the guidance of sound landscape theory,which is not only a profound study of theory,but also a deeper exploration of practice.