A Comparative Study Of Qing Dynasty Calling Temple Murals In Ordos And Baotou Regions

The murals of the Temple in Inner Mongolia have strong regional cultural characteristics.Ordos Wushenzhao,Baotou Wudangzhao,and Kundulun Zhao are all Gelug style temples built during the Qing Dynasty,and all have preserved Qing Dynasty murals.These murals integrate Tibetan painting themes and styles,Mongolian culture,and the expression techniques of the Central Plains Han region,forming a unique mural art in Inner Mongolia.However,due to the different geographical locations,construction times,and aesthetic tendencies among the three call temples,the murals of the three call temples have formed different styles of mural forms.By analyzing the image themes,styles,color structures,composition forms,and other aspects of the murals of the three temples,this paper explores the different decorative features of the Qing Dynasty temple murals in the Ordos and Baotou regions.Taking the Qing Dynasty as the main time line,taking the Ordos region and Baotou region of Inner Mongolia as the regional category,taking the murals of the Qing Dynasty in D’Gedu Du Sumo Hall,Wudang Zhao Su Guqin Hall and Kundulun Zhao the Shakya Mani Hall as the research objects,based on field research,image collection and image recognition,this study analyzes the characteristics of mural decoration from the perspective of art design,and combines the literature induction method,Exploring the content of murals from the perspective of historical and cultural background.A multi-dimensional comparison is made to explore the decorative characteristics of the murals of the same theme in Wushenzhao D’Gedu Sumo Hall,Wudangzhao Suguqin Hall,Kundulun the Shakya Mani Hall,and to sort out the historical context of the development of the murals in the temple in Inner Mongolia in the Qing Dynasty.Based on relevant literature and research group projects on digital protection of murals,proposes digital preservation technology for the Qing Dynasty temple murals in Inner Mongolia.Divided into five chapters for discussion: Chapter 1,Introduction.Chapter 2summarizes the geological environment and cultural background of the temple murals in the Ordos and Baotou regions from a historical perspective,summarizes the phased characteristics of the temple murals,and analyzes the influence of factors such as the social and political environment,cultural ideology,and living customs in the Qing Dynasty on the temple murals.The third chapter carries out image recognition research on the murals of the Qing Dynasty temple in D’Gedu Sumo Hall,Wudang Suguqin Hall,Kundulun the Shakya Mani Hall,and analyzes the artistic characteristics of the murals of the Qing Dynasty temple in Inner Mongolia from three angles of image location,recognition,and decoration.Chapter 4 elaborates on the significance of comparative research on the murals of the three temples from three aspects: background,content,painting techniques,and style.It horizontally compares the murals of the same theme in the three temples from three aspects: content,color,and composition,exploring the different artistic characteristics and aesthetics of the murals in Ordos and Baotou temple,and thus obtaining the universality of mural painting techniques in the Qing Dynasty.The fifth chapter analyzes the mural diseases of the Qing Dynasty’s Temple in Wushen Zhaode D’Gedu Sumo Hall,Wudang Zhaosu Guqin Hall and Kundulun Zhaoneneneba Mahavira Hall,and proposes digital preservation technology.