| "Lantern Dance" is an important form of performance in Chinese folk dance.Its artistic characteristics are all kinds of lights as props,mainly performed in the Lantern Festival.It has a history of more than 1,000 years and is widely distributed in China,presenting different artistic forms due to different geographical environment and social and cultural factors.In 2011,the traditional "lantern dance" of Wufu Town,Wuyishan City,Fujian Province--Wufu "Dragon Fish Play" was listed in the fourth batch of provincial intangible cultural Heritage list of Fujian Province.It has been recognized by government departments and local people for its long history,deep influence of Zhuzi culture,and cultural connotation advancing with The Times.As a vivid display of Wuyishan Zhuzi culture and a historical and cultural name card of Wufu town,Wufu "Dragon Fish Play" can be regarded as a folk dance culture with regional characteristics.For the people of Wufu Town,the Wufu "Dragon Fish Play" of Wufu town shows the ancient culture of Wufu town through people’s body movements,and maintains the common group memory of Wufu people.Based on the theory of communication ritual view,this paper takes folk dance Wufu "Dragon Fish Play" as the research object,and studies Wufu "Dragon Fish Play" as a social and cultural communication phenomenon through field investigation,case study and morphological analysis.The thesis is divided into three parts:introduction,body and conclusion.The introduction part summarizes the reason and significance of the topic,research status,innovation and research methods,research theory and concept definition.The text is divided into five chapters.The first chapter starts from the historical origin of Wufu "Dragon Fish Play",analyzes the natural and cultural environment of its emergence,and has an overall grasp of the communication background,and combs the historical development context of Wufu "Dragon Fish Play".The second chapter,based on the theory of ritual communication,regards the "communicator" who transmits information and the "receiver" who receives information as the communication subjects who jointly participate,experience and construct ritual activities,and analyzes their roles and functions in the process of communication.The third chapter analyzes the construction of cultural values of Wufu "Dragon Fish Play" through the elaboration of the content of Wufu "Dragon Fish Play".Firstly,it describes the preparation and process of performance of Wufu "Dragon Fish Play".Secondly,it analyzes the construction of national cultural values in symbolic metaphor of Wufu "Dragon Fish Play" from four aspects of image symbol,object symbol,action symbol and situation symbol by using semiotics theory,and gathers group memory.On this basis,the modernity transmutation of its content,form and ritual core is summarized.The fourth chapter mainly starts from the mode of communication,and analyzes the implementation path of the traditional and modern mode of communication of Wufu "Dragon Fish Play".Fifth chapter five,the spread of Wufu "Dragon Fish Play" function is divided into "emotional function" and "reality" to illustrate two aspects,emotional function mainly reflects in the Wufu "Dragon Fish Play" in the process of transmission through the expression of emotion,to identity and value of the acquisition,passed through the dance at the same time in the collective level cultural conventions to enhance national cohesion.The realistic function mainly analyzes the promotion of the spread of Wufu "Dragon Fish Play" to the local economy and tourism culture as well as the promotion of the preservation and continuation of the intangible cultural heritage in northern Fujian."Emotional function" and "realistic function" complement each other in the transmission process of Wufu "Dragon Fish Play",and become the inexhaustible driving force for the transmission and inheritance of Wufu "Dragon Fish Play". |
PDF Full Text Request