A Study On The Shaping Of The National Image By Tibetan Documentaries In The New Er

As an important embodiment of the national image,Tibet’s unique geography and diverse culture are of vital importance in shaping the national image.Tibetan documentaries are an important force in shaping the national image,not only in reshaping people’s cultural imagination of Tibetan minorities,but also as an indispensable component in building China’s political and cultural communities.This paper mainly takes Tibetan documentaries as the object of study,combines the development history of Tibetan documentaries with the visualization changes of the national image through case studies and comparative studies,and analyzes different aspects of Tibetan documentaries in shaping and spreading the national image in different periods.In the first chapter,the relevant overview of Tibetan documentaries and national image is firstly discussed in depth,emphasizing that Tibetan image as an independent entity is embedded in the national image as a whole,and the two are interdependent.The second chapter divides Tibetan documentaries into five stages: the genesis period,the "Seventeen Years" period,the new period,the transition period and the maturity period,and analyzes the presentation and transmutation of the state image in Tibetan documentaries in different periods in the context of the social context of each period,namely,the "spectacle-ized" Tibetan image and the "spectacle-ized" Tibetan image.Tibetan image" and "politicized","written","socialized" and "weakly political"The image of China is not only characterized by distinctive ethnic and regional features,but also embodies the ideological characteristics of the pluralistic development of the Chinese nation and forms a unique ethnic spirit.Based on the multidimensional perspective of national image,Chapter 3 takes a typical Tibetan documentary as an example to analyze the political,economic and cultural images in Tibetan documentaries,and elucidates the types of national images shaped by Tibetan documentaries through the horizontal subdivision of national images.Chapter 4 explores and reflects on the strategy of image construction of national image from the perspectives of narrative and audiovisual.In the fifth chapter,in the context of his graduation work "Love in the Third Pole",he firstly explores the meaning of different spaces from three levels: physical space,spiritual space and social space;secondly,he takes the ethnic culture as the point of view and explains the integration and extension of minority cultures and traditional Chinese culture in the film;thirdly,he draws on the theory of "community narrative The second chapter draws on the theory of "community narrative" to demonstrate the logic of"dialogue" in the film,and then emphasizes the connotation of ethnic equality and unity;finally,it explores how the Tibetan documentary film has shaped the image of the nation at the audiovisual level.Overall,Chapter 5 will explore the multi-directional presentation of the national image shaping in Love at the Third Pole from spatial,cultural,narrative and audiovisual aspects.